Alexis Clark

'Tone,” Workshopping Future Directions in Impressionism

Unseen/Obscured: Race and Impressionism, Institute of Advanced Studies, University. Presented at the Institute of Advanced Studies, University College London, London, U.K.

De-Hierarchising Impressionism Studies via UK/US Collaborations

Collaboration as Art Historical Practice, College Art Association. Presented at the College Art Association, New York, New York.

Impressionism and the Longue Durée of Empire

College Art Association Conference. Presented at the College Art Association Conference, Chicago, Illinois.

Impressionism at 150: New Views from around the World

Workshopping Future Directions in Impressionism Online. Presented at the Workshopping Future Directions in Impressionism Online.

What Is Impressionism?

Workshopping Future Directions in Impressionism. Presented at the Workshopping Future Directions in Impressionism, Institute of Advanced Studies, University College London, London, UK.

Whistler, Conflict and the American Scene

New Approaches to James McNeill Whistler’s Anacapa Island (1854), Lunder Consortium for Whistler Studies. Presented at the New Approaches to James McNeill Whistler’s Anacapa Island (1854), Lunder Consortium for Whistler Studies, Waterville, ME.

Book review of Timothy Standring, Whistler to Cassatt: American Painters in France

[Review of Whistler to Cassatt: American Painters in France, by T. J. Standring]. H-France Review, 23(80).

Impressionism After Impressionism

Oxford Art Journal, 46(2), 167–176.

Impressionism After Impressionism

In Oxford Art Journal (Vol. 46).

Reckoning with Empire in French Modern Visual Culture

Art History, 46(2), 411–416.

Ways of Seeing Impressionism circa 1968

Oxford Art Journal, 46(2), 277–290.

Why Monet Matters: MeaningAmongst the Lily Pads

NINETEENTH-CENTURY ART WORLDWIDE, Vol. 22, pp. 99-+.

A Studio of Their Own

Clark, A. (2022, December). https://ncartmuseum.org/a-studio-of-their-own/

Re)thinking Impressionism

Art Historians of Nineteenth-Century Art Newsletter, 21(1), 1–4.

William C. Seitz and the Experience of Impressionism

Archives of American Art Journal, 61(1), 4–23.

America’s Impressionism: Echoes of a Revolution edited by Amanda C. Burdan and Monet and Chicago edited by Gloria Groom

Nineteenth-Century Art Worldwide, 20(1).

Impressionism as Erasure

5. Making an Art-Historical Empire: French Histories of Impressionism in Translation

In A. Clark & F. Fowle (Eds.), Globalizing Impressionism: Reception, Translation, and Transnationalism.

Globalizing Impressionism: Reception, Translation, and Transnationalism

The Musée du Luxembourg and the Protection of France’s Impressionist Patrimoine

(V. Kobi, A. Linke, & S. Marchal, Eds.).

Cézanne Portraits

[Review of Cézanne Portraits]. Nineteenth-Century Art Worldwide, 17(2).

The EY Exhibition: Impressionists in London, French Artists in Exile (1870–1904)

[Review of The EY Exhibition: Impressionists in London, French Artists in Exile (1870–1904), by C. Corbeau-Parsons]. Nineteenth-Century Art Worldwide, 17(1).

Writing impressionism into the Musée du Luxembourg’s history of nineteenth-century art

Museum History Journal, 11(1), 57–75.

Australia’s Impressionists

Nineteenth-Century Art Worldwide, 16(2).

James McNeill Whistler and France: A Dialogue in Paint, Poetry, and Music by Suzanne M. Singletary

[Review of James McNeill Whistler and France: A Dialogue in Paint, Poetry, and Music, by S. Singletary]. Nineteenth-Century Art Worldwide, 16(2).

Unruly Nature: The Landscapes of Théodore Rousseau

Nineteenth-Century Art Worldwide, 16(1).

Le Douanier Rousseau: L’innocence archaïque

Nineteenth-Century Art Worldwide, 15(3).

Paris Goes Global: Nineteenth‐Century Art History's Transnational Turn

Art History, 39(3), 612–615.

Symbolism in the Interwar Limelight: Somerset Maugham’s The Moon and Sixpence and Paul Gauguin as Popular Spectacle

S/symbolism—Movement v. Mode, Southeast College Art Conference. Presented at the Southeast College Art Conference.

‘Qu’est-ce qu’un art “avant-garde?’ Mythical Dreams and Historical Realities of the Late-Nineteenth Century Avant-Garde

Reconstructing the Avant-Garde, Southeastern College Art Conference. Presented at the Southeastern College Art Conference, Richmond, Virginia.

The Painting on the Wall: Paul Gauguin and Interwar Popular Culture

Living in a Material World: Consumerism, Commercialization and Spectacle, Duke University Department of Art History and Visual Studies Graduate Student Symposium, Presented at the Duke University Department of Art History and Visual Studies Graduate Student Symposium, Durham, North Carolina.

What Lies Beneath: William Holman Hunt and Cultural Subversion

Nineteenth and Early Twentieth Century Art, Southeastern College Art Conference. Presented at the Southeastern College Art Conference, New Orleans, Louisiana.

‘A State of Utter Barbarism’: British Colonial Propaganda and the Case of Cyprus

Journalism and Propaganda in Nineteenth Century Europe, 29th Conference of the Nineteenth Century Studies Association. Presented at the 29th Conference of the Nineteenth Century Studies Association, Miami, Florida.