Christopher Crosbie

Crosbie, C. (2023). Aristotelian Time, Ethics, and the Art of Persuasion in Shakespeare’s Henry V. Literature. https://doi.org/10.3390/literature3010007

Crosbie, C. (2022). Entertaining the Idea: Shakespeare, Performance, and Philosophy. RENAISSANCE QUARTERLY, Vol. 75, pp. 1437–1439. https://doi.org/10.1017/rqx.2022.418

Crosbie, C. (2022). “'Strange Serious Wantoning:' Early Modern Chess Manuals and the Ethics of Virtuous Subterfuge". Renaissance Papers. Retrieved from https://www.academia.edu/88245444/_Strange_Serious_Wantoning_Early_Modern_Chess_Manuals_and_the_Ethics_of_Virtuous_Subterfuge_Christopher_Crosbie_

Revenge Tragedy and Classical Philosophy on the Early Modern Stage. (2021).

Crosbie, C. (2019). Revenge Tragedy and Classical Philosophy on the Early Modern Stage. https://doi.org/10.3366/edinburgh/9781474440264.001.0001

Crosbie, C. (2018, February). Renaissance Suppliants: Poetry, Antiquity, Reconciliation. MODERN PHILOLOGY, Vol. 115, pp. E219–E222. https://doi.org/10.1086/694829

Flothow, D., Coelsch-Foisner, S., & Oppolzer, M. (Eds.). (2017). "Refashioning Fable through the Baconian Essay: De sapientia veterum and Mythologies of the Early Modern Natural Philosopher". In The Essay: Forms and Transformations. Retrieved from https://www.academia.edu/35826710/_Refashioning_Fable_through_the_Baconian_Essay_De_sapientia_veterum_and_Mythologies_of_the_Early_Modern_Natural_Philosopher_Christopher_Crosbie_

Walsh, B. (Ed.). (2016). "State of the Art: Current Critical Approaches to The Revenger's Tragedy". In The Revenger's Tragedy: A Critical Reader. Retrieved from https://www.academia.edu/35843837/_State_of_the_Art_Current_Critical_Approaches_to_The_Revengers_Tragedy_Christopher_Crosbie_

The State of the Art: Current Critical Approaches to The Revenger's Tragedy. (2016).

Crosbie, C. (2015). PUBLICIZING THE SCIENCE OF GOD: MILTON'S RAPHAEL AND THE BOUNDARIES OF KNOWLEDGE. RENASCENCE-ESSAYS ON VALUES IN LITERATURE, 67(4), 239–260. https://doi.org/10.5840/renascence201567419

Publicizing the Science of God: Milton's Raphael and the Boundaries of Knowledge. (2015). Renascence. https://doi.org/https://doi.org/10.5840/renascence201567419

Publicizing the Science of God: Milton's Raphael and the Boundaries of Knowledge. (2015).

ed. Robert DeMaria Jr., H. C. (Ed.). (2014). Francis Bacon and Aristotelian Afterlives. Retrieved from https://www.academia.edu/9047584/_Francis_Bacon_and_Aristotelian_Afterlives_Christopher_Crosbie_

Crosbie, C. (2014). The Longleat Manuscript Reconsidered: Shakespeare and the Sword of Lath. ENGLISH LITERARY RENAISSANCE, 44(2), 221–240. https://doi.org/10.1111/1475-6757.12027

The Longleat Manuscript Reconsidered: Shakespeare and the Sword of Lath. (2014). English Literary Renaissance. Retrieved from https://www.academia.edu/9047639/_The_Longleat_Manuscript_Reconsidered_Shakespeare_and_the_Sword_of_Lath_Christopher_Crosbie_

The Longleat Manuscript Reconsidered: Shakespeare and the Sword of Lath. (2014).

The Comedy of Errors, Haecceity, and the Metaphysics of Individuation. (2013). Renaissance Papers. Retrieved from https://www.academia.edu/9047718/_The_Comedy_of_Errors_Haecceity_and_the_Metaphysics_of_Individuation_Christopher_Crosbie_

The Comedy of Errors, Haecceity, and the Metaphysics of Individuation. (2013).

Crosbie, C. (2012). Deathly experiments: A study of icons and emblems of mortality in Christopher Marlowe's plays. Sixteenth Century Journal, 43(2), 458–459.

Crosbie, C. (2012). Women and revenge in Shakespeare: Gender; genre, and ethics. Shakespeare Quarterly, Vol. 63, pp. 253–256. https://doi.org/10.1353/shq.2012.0027

Philosophies of Retribution: Kyd, Shakespeare, Webster and the Revenge Tragedy Genre. (2009).

Oeconomia and the Vegetative Soul: Rethinking Revenge in The Spanish Tragedy. (2008). English Literary Renaissance. https://doi.org/https://doi.org/10.1111/j.1475-6757.2008.00115.x

Oeconomia and the Vegetative Soul: Rethinking Revenge in The Spanish Tragedy. (2008).

Crosbie, C. (2008). Rhetorical readings, dark comedies, and Shakespeare's problem plays. Comparative Drama, Vol. 42, pp. 246–249. https://doi.org/10.1353/cdr.0.0006

Crosbie, C. (2008). Science, Literature and Rhetoric in Early Modern England. RENAISSANCE QUARTERLY, Vol. 61, pp. 1406–1407. https://doi.org/10.1353/ren.0.0256

Fixing Moderation: Titus Andronicus and the Aristotelian Determination of Value. (2007). Shakespeare Quarterly. https://doi.org/https://doi.org/10.1353/shq.2007.0021

Fixing Moderation: Titus Andronicus and the Aristotelian Determination of Value. (2007).

Goodly Physic: Disease, Purgation, and Anatomical Display in Shakespeare's Troilus and Cressida. (1999).

Sexuality, Corruption, and the Body Politic: The Paradoxical Tribute of The Misfortunes of Arthur to Elizabeth I. (1999).