Devin Orgeron

Orgeron, M., & Orgeron, D. (2012). Foreword. Moving Image, 12(2), VII-.

Orgeron, D. A. (2009). Conference report: Orphans take Manhattan: The 6th Biannual Orphan Film Symposium, March 26-29, 2008, New York City. Cinema Journal, 48(2), 114–118. https://doi.org/10.1353/cj.0.0086

Orgeron, D. A. (2008). Visual media and the tyranny of the real. In The Oxford handbook of film and media studies (pp. 83–113). Oxford University Press.

Orgeron, M., & Orgeron, D. (2007). Familial Pursuits, Editorial Acts: Documentaries after the Age of Home Video. The Velvet Light Trap, 60(1), 47–62. https://doi.org/10.1353/vlt.2007.0023

Orgeron, D. (2007). La camera-crayola: Authorship comes of age in the cinema of Wes Anderson. CINEMA JOURNAL, 46(2), 40–65. https://doi.org/10.1353/cj.2007.0016

Orgeron, D. A., & Orgeron, M. (2007). Megatronic memories: Errol Morris and the aesthetics of observation. In F. Guerin & R. Hallas (Eds.), The image and the witness (pp. 238–252). Wallflower Press.

Orgeron, D. (2007). Road Movies: From Muybridge and Melies to Lynch and Kiarostami. In ROAD MOVIES: FROM MUYBRIDGE AND MELIES TO LYNCH AND KIAROSTAMI (pp. 1–239). https://doi.org/10.1057/9780230610217

Orgeron, D. A. (2007). Scatological film practice: Pulp Fiction and a cinema in movements. In Contemporary literary criticism, vol. 230 (Vol. 230).

Orgeron, D. A. (2006). Mobile home movies: travel and la politque des amateurs. Moving Image : the Journal of the Association of Moving Image Archivists, 6(2), 74–100. https://doi.org/10.1353/mov.2007.0013

Orgeron, D. A. (2004). Curating Kiarostami: review of Jonathan Rosenbaum and Mehrnaz Saeed-Vafa's Abbas Kiarostami. Frameworks (Berkeley, CA), 45(1), 132–134.

Orgeron, D. A. (2003). Faster Pussycat! Kill! Kill! In 1001 movies you must see before you die (p. 453). London: Quintet.

Orgeron, D. A. (2002). David Fincher. In Fifty contemporary filmmakers (pp. 154–161). Routledge.

Orgeron, D. A. (2002). Revising the postmodern American road movie: David Lynch's The 'Straight Story'. Journal of Film and Video, 54(4), 31–46.

Orgeron, D. A. (2002). The import/export business: the road to Abbas Kiarostami's Taste of Cherry. CineAction, 46–51.

Orgeron, D. A., & Orgeron, M. (2001). Eating their words: consuming class a la Keaton and Chaplin. College Literature, 84–104.

Orgeron, D. A., & Orgeron, M. (2000). Interventions: an interview with Isaac Julien. Coil, 9(10).

Orgeron, D. (2000). Re-membering history in Isaac Julien's The 'Attendant'. FILM QUARTERLY, 53(4), 32–40. https://doi.org/10.1525/fq.2000.53.4.04a00040

Orgeron, D. A. (2000). Scatological film practice: Pulp Fiction and a cinema in movements. Post Script, 19(3), 29–41.