David B. Greene

The Credo in Bach's B-minor Mass Who Is the "I" of "I Believe"?

RELIGION AND THE ARTS, 28(5), 555–576.

Religious Dimensions of Beethoven's Ode "To Joy" What Happens When Music Rewrites the Text

RELIGION AND THE ARTS, 26(5), 635–659.

The spirituality of Mozart's Mass in C minor, Bach's Mass in B minor, and Messiaen's "Quartet for the end of time": when hearing sacred music is relating to God

Lewiston, N.Y.: Edwin Mellen Press.

The theology of Handel's "Messiah," Beethoven's "Credo," and Verdi's "Dies irae": How listening to sung theology leads to the contemplation of God

Lewiston, NY: Edwin Mellen Press.

The imagining of community in the arts of Guatemala weaving, folk tales, marimba performance, contemporary painting

Lewiston, NY: Edwin Mellen Press.

The imagining of community in works of Beethoven, Verdi, and Shostakovich musical means for envisioning community

Lewiston, NY: Edwin Mellen Press.

Shostakovich and the pursuit of the common good: A musical contribution to civic republicanism

Soundings, 92(3-4), 239–257.

How war makes politics impossible a philosophical analysis of the two ways we deal with "otherness"

Lewiston, NY: Edwin Mellen Press.

How to respond to strangeness in art four studies in the unfamiliar

Lewiston, NY: Edwin Mellen Press.

Music in search of itself: Essays on music about music

Lewiston, NY: Edwin Mellen Press.

Teaching and learning through inquiry: A guidebook for institutions and instructors

Sterling, Va.: Stylus Pub.

Benjamin Britten's 'War Requiem': The end of religious music (A liturgical indictment of musical aesthetics)

Soundings, 83(1), 89–100.

Britten's War Requiem: The End of Religious Music

Searching for Bal Hynch, Indiana: The Uncanny Meaning of Iranian Garden Rugs

The Sounds of Timelessness and Hope: Hearing the Many Traditions in the Global Village