Works (15)
Updated: April 4th, 2024 08:48
2022 article
Respectability, Prestige, and the Whiteness of Opera in American Popular Entertainment from 1890 to 1937
Bombola, G., & Turner, K. M. (2022, June 10). MUSICAL QUARTERLY, Vol. 6.
UN Sustainable Development Goal Categories
5. Gender Equality
(Web of Science)
Sources: Web Of Science, ORCID
Added: June 27, 2022
2020 chapter
A New Performance for the New World: Carmen in America
In C. Rowland & R. L. Smith (Eds.), Carmen Abroad (pp. 113–139). Cambridge, UK: University of Cambridge Press.
Ed(s): C. Rowland & R. Smith
Source: ORCID
Added: February 14, 2022
2020 book
Carmen Abroad: Bizet's Opera on the Global Stage
In CARMEN ABROAD: BIZET'S OPERA ON THE GLOBAL STAGE (pp. 1–363).
hdl.handle.net (repository)
Sources: Web Of Science, ORCID
Added: April 26, 2021
2020 journal article
Faust and the Power of Operatic Performance by African Americans
Journal of the American Musicological Society, 73(3), 741–748.
Source: ORCID
Added: February 14, 2022
2020 article
Special Issue on The Arts in the Black Press During the Age of Jim Crow
American Studies.
Source: ORCID
Added: February 14, 2022
2019 book
Blue Monday and New York Theatrical Aesthetics
Source: ORCID
Added: February 14, 2022
2019 chapter
Gershwin and the Past: Blue Monday and New York Theatrical Aesthetics
In A. Celenza (Ed.), The Cambridge Companion to Gershwin (pp. 59–79). Cambridge, UK: University of Cambridge Press.
Ed(s): A. Celenza
Source: ORCID
Added: February 14, 2022
2019 article
Harry T. Burleigh: From the Spiritual to the Harlem Renaissance.
Turner, K. M. (2019, February). JOURNAL OF THE SOCIETY FOR AMERICAN MUSIC, Vol. 13, pp. 128–131.
Sources: Web Of Science, ORCID
Added: March 11, 2019
2017 article
Historic American Sheet Music
JOURNAL OF THE AMERICAN MUSICOLOGICAL SOCIETY, Vol. 70, pp. 565–575.
Sources: Web Of Science, ORCID
Added: August 6, 2018
2017 chapter
Justifiable Homicide: The Life and Death of Carmen in Late Nineteenth-Century America
In L. Fallwell & K. Williams (Eds.), Gender and the Representation of Evil (pp. 143–155). New York: Routledge.
Ed(s): L. Fallwell & K. Williams
Source: ORCID
Added: February 14, 2022
2016 journal article
Opera in English: Class and Culture in America, 1878-1910
Source: ORCID
Added: February 14, 2022
2015 journal article
Class, Race, and Uplift in the Opera House: The Theodore Drury Grand Opera Company Crosses the Color Line
Journal of Musicological Research, 34(4), 320–351.
Source: ORCID
Added: February 14, 2022
2015 journal article
Class, Race, and Uplift in the Opera House: Theodore Drury and His Company Cross the Color Line
JOURNAL OF MUSICOLOGICAL RESEARCH, 34(4), 320–351.
UN Sustainable Development Goal Categories
5. Gender Equality
(Web of Science)
Sources: Web Of Science, ORCID
Added: August 6, 2018
2015 thesis
Opera in English: Class and Culture in America, 1878-1910
Source: ORCID
Added: February 14, 2022
2014 journal article
A Joyous Star-Spangled-Bannerism: Emma Juch, Opera in English Translation, and the American Cultural Landscape in the Gilded Age
Journal of the Society for American Music, 8(2), 219–252.
Source: ORCID
Added: February 14, 2022
Employment
Updated: September 14th, 2021 17:58
2003 - present
North Carolina State University Raleigh, NC, US
Lecturer
Music & Honors
Education
Updated: October 10th, 2021 16:10
University of North Carolina at Chapel Hill Chapel Hill, North Carolina, US
PhD
Musicology
2009 - 2011
University of North Carolina at Chapel Hill Chapel Hill, North Carolina, US
Masters in Musicology
Music
1989 - 1991
University of Rochester Eastman School of Music Rochester, NY, US
Masters
Musicology
1985 - 1989
University of North Carolina at Greensboro Greensboro, North Carolina, US
Bachelors of Music
Music
Funding History
Funding history based on the linked ORCID record. Updated: September 14th, 2021 18:02
grant
June 1 - July 31, 2017
Opera on the American Popular Stage, 1890-1915
National Endowment for the Humanities
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