Works (15)

2022 article

Respectability, Prestige, and the Whiteness of Opera in American Popular Entertainment from 1890 to 1937

Bombola, G., & Turner, K. M. (2022, June 10). MUSICAL QUARTERLY, Vol. 6.

By: G. Bombola & K. Turner

Sources: Web Of Science, ORCID
Added: June 27, 2022

2020 article

A New Performance for the New World: Carmen in America

CARMEN ABROAD: BIZET'S OPERA ON THE GLOBAL STAGE, pp. 113–129.

By: K. Turner

Source: Web Of Science
Added: April 26, 2021

2020 chapter

A New Performance for the New World: Carmen in America

In C. Rowland & R. L. Smith (Eds.), Carmen Abroad (pp. 113–139). Cambridge, UK: University of Cambridge Press.

By: K. Turner

Ed(s): C. Rowland & R. Smith

Source: ORCID
Added: February 14, 2022

2020 journal article

Faust and the Power of Operatic Performance by African Americans

Journal of the American Musicological Society, 73(3), 741–748.

By: K. Turner

Source: ORCID
Added: February 14, 2022

2020 article

Special Issue on The Arts in the Black Press During the Age of Jim Crow

American Studies.

Source: ORCID
Added: February 14, 2022

2019 book

Blue Monday and New York Theatrical Aesthetics

Source: ORCID
Added: February 14, 2022

2019 chapter

Gershwin and the Past: Blue Monday and New York Theatrical Aesthetics

In A. Celenza (Ed.), The Cambridge Companion to Gershwin (pp. 59–79). Cambridge, UK: University of Cambridge Press.

By: K. Turner

Ed(s): A. Celenza

Source: ORCID
Added: February 14, 2022

2019 article

Harry T. Burleigh: From the Spiritual to the Harlem Renaissance.

Turner, K. M. (2019, February). JOURNAL OF THE SOCIETY FOR AMERICAN MUSIC, Vol. 13, pp. 128–131.

By: K. Turner

Sources: Web Of Science, ORCID
Added: March 11, 2019

2017 journal article

Historic American sheet music

Journal of the American Musicological Society, 70(2), 565–575.

By: K. Turner

Sources: NC State University Libraries, ORCID
Added: August 6, 2018

2017 chapter

Justifiable Homicide: The Life and Death of Carmen in Late Nineteenth-Century America

In L. Fallwell & K. Williams (Eds.), Gender and the Representation of Evil (pp. 143–155). New York: Routledge.

By: K. Turner

Ed(s): L. Fallwell & K. Williams

Source: ORCID
Added: February 14, 2022

2016 journal article

Opera in English: Class and Culture in America, 1878-1910

Source: ORCID
Added: February 14, 2022

2015 journal article

Class, Race, and Uplift in the Opera House: The Theodore Drury Grand Opera Company Crosses the Color Line

Journal of Musicological Research, 34(4), 320–351.

By: K. Turner

Source: ORCID
Added: February 14, 2022

2015 journal article

Class, race, and uplift in the opera house: Theodore Drury and his company cross the color line

Journal of Musicological Research, 34(4), 320–351.

By: K. Turner

Sources: NC State University Libraries, ORCID
Added: August 6, 2018

2015 thesis

Opera in English: Class and Culture in America, 1878-1910

Source: ORCID
Added: February 14, 2022

2014 journal article

A Joyous Star-Spangled-Bannerism: Emma Juch, Opera in English Translation, and the American Cultural Landscape in the Gilded Age

Journal of the Society for American Music, 8(2), 219–252.

Source: ORCID
Added: February 14, 2022

Employment

2003 - present

North Carolina State University Raleigh, NC, US
Lecturer Music & Honors

Education

University of North Carolina at Chapel Hill Chapel Hill, North Carolina, US
PhD Musicology

2009 - 2011

University of North Carolina at Chapel Hill Chapel Hill, North Carolina, US
Masters in Musicology Music

1989 - 1991

University of Rochester Eastman School of Music Rochester, NY, US
Masters Musicology

1985 - 1989

University of North Carolina at Greensboro Greensboro, North Carolina, US
Bachelors of Music Music

Funding History

Funding history based on the linked ORCID record.

grant June 1 - July 31, 2017
Opera on the American Popular Stage, 1890-1915
National Endowment for the Humanities