Kirsten Paige

Echo

Paige, K. (2022, December 30). SOUND STUDIES, Vol. 12.

Introduction

NINETEENTH CENTURY MUSIC, Vol. 45, pp. 3–6.

On the Politics of Performing Wagner Outdoors: Open-Air Opera, Gesamtkunstwerk and the Third Reich’s ‘Forest Opera’, 1933–45

Journal of the Royal Musical Association, 146(1), 147–180.

Sonic ecosystems of loss: Voices of the Rainforest at twenty-five

[Review of Voices of the Rainforest, by S. Feld, D. Leonard, & J. R. Richards]. Sound Studies, 1–3.

Tectonic Microphonics

NINETEENTH CENTURY MUSIC, 45(1), 65–78.

Musical Vitalities: Ventures in a Biotic Aesthetics of Music, by Holly Watkins

[Review of Musical Vitalities: Ventures in a Biotic Aesthetics of Music, by H. Watkins]. Journal of the American Musicological Society, 73(2), 405–410.

Opera’s Inconvenient Truths in the Anthropocene Age: CO2 and Anthropocene

The Opera Quarterly, 36(1-2), 99–112.

“Art and Climate” and the Atmospheric Politics of Wagnerian Theater

The Opera Quarterly, 35(3), 147–178.

Wagnerian Climatic Fantasies: Sound, Space, Breath

European Romantic Review, 28(3), 343–348.

The Owl, the Nightingale and the Jew in the Thorn-bush: Relocating Anti-Semitism in Die Meistersinger

Cambridge Opera Journal, 28(1), 1–35.

Wagner’s Melodies: Aesthetics and Materialism in German Musical Identity by David Trippett

[Review of Wagner’s Melodies: Aesthetics and Materialism in German Musical Identity, by D. Trippett]. Notes, 70(4), 708–710.