Kirsten Paige

Echo

Paige, K. (2022, December 30). SOUND STUDIES, Vol. 12.

Listening to Climate Change

Listening to Daily Life in the Bosavi Rainforest

Paige, K. (2022, August 11).

Introduction

NINETEENTH CENTURY MUSIC, Vol. 45, pp. 3–6.

On the Politics of Performing Wagner Outdoors: Open-Air Opera, Gesamtkunstwerk and the Third Reich’s ‘Forest Opera’, 1933–45

Journal of the Royal Musical Association, 146(1), 147–180.

Sonic ecosystems of loss: Voices of the Rainforest at twenty-five

[Review of Voices of the Rainforest, by S. Feld, D. Leonard, & J. R. Richards]. Sound Studies, 1–3.

Tectonic Microphonics

NINETEENTH CENTURY MUSIC, 45(1), 65–78.

Musical Vitalities: Ventures in a Biotic Aesthetics of Music, by Holly Watkins

[Review of Musical Vitalities: Ventures in a Biotic Aesthetics of Music, by H. Watkins]. Journal of the American Musicological Society, 73(2), 405–410.

Opera’s Inconvenient Truths in the Anthropocene Age: CO2 and Anthropocene

The Opera Quarterly, 36(1-2), 99–112.

“Art and Climate” and the Atmospheric Politics of Wagnerian Theater

The Opera Quarterly, 35(3), 147–178.

Wagnerian Climatic Fantasies: Sound, Space, Breath

European Romantic Review, 28(3), 343–348.

The Owl, the Nightingale and the Jew in the Thorn-bush: Relocating Anti-Semitism in Die Meistersinger

Cambridge Opera Journal, 28(1), 1–35.

Wagner’s Melodies: Aesthetics and Materialism in German Musical Identity by David Trippett

[Review of Wagner’s Melodies: Aesthetics and Materialism in German Musical Identity, by D. Trippett]. Notes, 70(4), 708–710.