Kirsten Paige

Paige, K. (2022, December 30). Echo. SOUND STUDIES, Vol. 12. https://doi.org/10.1080/20551940.2022.2159646

Paige, K. (2022). Listening to Climate Change. https://doi.org/10.52750/958594

Paige, K. (2022, August 11). Listening to Daily Life in the Bosavi Rainforest. https://doi.org/10.52750/736788

Paige, K. (2021). Introduction. NINETEENTH CENTURY MUSIC, Vol. 45, pp. 3–6. https://doi.org/10.1525/ncm.2021.45.1.3

Paige, K. (2021). On the Politics of Performing Wagner Outdoors: Open-Air Opera, Gesamtkunstwerk and the Third Reich’s ‘Forest Opera’, 1933–45. Journal of the Royal Musical Association, 146(1), 147–180. https://doi.org/10.1017/rma.2020.26

Paige, K. (2021). Sonic ecosystems of loss: Voices of the Rainforest at twenty-five [Review of Voices of the Rainforest, by S. Feld, D. Leonard, & J. R. Richards]. Sound Studies, 1–3. https://doi.org/10.1080/20551940.2021.1945343

Paige, K. (2021). Tectonic Microphonics. NINETEENTH CENTURY MUSIC, 45(1), 65–78. https://doi.org/10.1525/ncm.2021.45.1.65

Paige, K. (2020). Musical Vitalities: Ventures in a Biotic Aesthetics of Music, by Holly Watkins [Review of Musical Vitalities: Ventures in a Biotic Aesthetics of Music, by H. Watkins]. Journal of the American Musicological Society, 73(2), 405–410. https://doi.org/10.1525/jams.2020.73.2.405

Paige, K. (2020). Opera’s Inconvenient Truths in the Anthropocene Age: CO2 and Anthropocene. The Opera Quarterly, 36(1-2), 99–112. https://doi.org/10.1093/oq/kbaa011

Paige, K. (2019). “Art and Climate” and the Atmospheric Politics of Wagnerian Theater. The Opera Quarterly, 35(3), 147–178. https://doi.org/10.1093/oq/kbz019

Paige, K. (2017). Wagnerian Climatic Fantasies: Sound, Space, Breath. European Romantic Review, 28(3), 343–348. https://doi.org/10.1080/10509585.2017.1314672

Grey, T., & Paige, K. (2016). The Owl, the Nightingale and the Jew in the Thorn-bush: Relocating Anti-Semitism in Die Meistersinger. Cambridge Opera Journal, 28(1), 1–35. https://doi.org/10.1017/s095458671600001x

Paige, K. S. (2014). Wagner’s Melodies: Aesthetics and Materialism in German Musical Identity by David Trippett [Review of Wagner’s Melodies: Aesthetics and Materialism in German Musical Identity, by D. Trippett]. Notes, 70(4), 708–710. https://doi.org/10.1353/not.2014.0060