Maria T. Pramaggiore

Film a critical introduction

Boston: Pearson/Allyn and Bacon.

Irish and African American cinema: Identifying others and performing identities, 1980-2000

Albany, NY: State University of New York Press.

Film a critical introduction

Boston: Pearson/Allyn and Bacon.

The horror film

[Review of ]. Film Quarterly, 59(3), 76–77.

The horror film and psychoanalysis: Freud's worst nightmare

[Review of ]. Film Quarterly, 59(3), 76–77.

Irish national cinema

[Review of ]. Film Quarterly, 59(1), 57–59.

In denial (review of 40 days and 40 nights)

[Review of ]. Independent Weekly, XIX(11), 57.

After AIDS (review of Loss within loss: artists in the age of AIDS. Edmund White, ed.)

[Review of ]. Independent Weekly, XVIII(25), 48.

Dancer in the dark (on the American Dance Festival)

[Review of ]. Independent Weekly, XVIII(29), 31.

Guerrilla theater, (review of Cat?s-paw)

[Review of ]. Independent Weekly, XVIII(37), 39.

Meet market (review of Selling out: the gay and lesbian movement goes to market by Alexandra Chasin)

[Review of ]. Independent Weekly, XVIII(32), 28.

Not just politics as usual, (fall theater preview)

[Review of ]. Independent Weekly, XVIII(36), 32–35.

Outside the box (review of Three days of rain)

[Review of ]. Independent Weekly, XVIII(22), 30.

Play tectonics (review of Bash, The laramie project, and The mound builders)

[Review of ]. Independent Weekly, XVIII(43), 33–34.

Processing `the process,? (review of Joan Didion?s Political fictions)

[Review of ]. Independent Weekly, XVIII(42), 34–36.

Risky, frisky, (review of UNC-Chapel Hill?s Lab! Theatre)

[Review of ]. Independent Weekly, XVIII(40), 25.

Seeing double (s): Reading Deren bisexually

In Maya Deren and the American avant-garde (pp. 237–260). Berkeley: University of California Press.

Setting the record straight (review of Rebels, rubyfruits, and rhinestones: queering space in the stonewall south by James Sears)

[Review of ]. Independent Weekly, XVIII(52).

Sex, art and analysis (review of A new fine shame)

[Review of ]. Independent Weekly, XVIII(20), 47.

Take four (DoubleTake Documentary Film Festival)

[Review of ]. Independent Weekly, XVIII(18), 24.

Testing taboos (review of Paperdoll psychology)

[Review of ]. Independent Weekly, XVIII(49).

Ties that bind (review of Fit to be tied)

[Review of ]. Independent Weekly, XVIII(50).

Unbending history (review of Bent)

[Review of ]. Independent Weekly, XVIII(18), 41.

Unmastered subjects: fabricating identity in Joseph Strick?s Ulysses and Portrait of the artist as a young man

In James Joyce and the fabrication of an Irish identity (pp. 52–70). Amsterdam; Atlanta, GA: Rodopi.

The Celtic blue note: jazz in Neil Jordan's 'Night in Tunisia', 'Angel' and The 'Miracle'

SCREEN, 39(3), 272–288.

Bullet riddled/star-studded history: Neil Jordan's Michael Collins

Jouvert : A Journal of Postcolonial Studies, 1(1).

Fishing for girls: Romancing lesbians in new queer cinema

College Literature, 24(1), 59–75.

Performance and persona in the US Avant-Garde: The case of Maya Deren

CINEMA JOURNAL, 36(2), 17–40.

RePresenting bisexualities: Subjects and cultures of fluid desire

New York: New York University Press.