@book{maria pramaggiore_2008, title={Film a critical introduction}, publisher={Boston: Pearson/Allyn and Bacon}, author={Maria Pramaggiore, Tom Wallis}, year={2008} }
 @book{pramaggiore_2007, title={Irish and African American cinema: Identifying others and performing identities, 1980-2000}, ISBN={0791470954}, publisher={Albany, NY: State University of New York Press}, author={Pramaggiore, M.}, year={2007} }
 @book{maria pramaggiore_2006, title={Film a critical introduction}, publisher={Boston: Pearson/Allyn and Bacon}, author={Maria Pramaggiore, Tom Wallis}, year={2006} }
 @misc{pramaggiore_2006, title={The  horror film}, volume={59}, number={3}, journal={Film Quarterly}, author={Pramaggiore, M.}, year={2006}, pages={76–77} }
 @misc{pramaggiore_2006, title={The  horror film and psychoanalysis: Freud's worst nightmare}, volume={59}, number={3}, journal={Film Quarterly}, author={Pramaggiore, M.}, year={2006}, pages={76–77} }
 @misc{pramaggiore_2005, title={Irish national cinema}, volume={59}, number={1}, journal={Film Quarterly}, author={Pramaggiore, M.}, year={2005}, pages={57–59} }
 @misc{pramaggiore_2002, title={In denial (review of 40 days and 40 nights)}, volume={XIX}, number={11}, journal={Independent Weekly}, author={Pramaggiore, M.}, year={2002}, pages={57} }
 @misc{pramaggiore_2001, title={After AIDS (review of Loss within loss:  artists in the age of AIDS.  Edmund White, ed.)}, volume={XVIII}, number={25}, journal={Independent Weekly}, author={Pramaggiore, M.}, year={2001}, pages={48} }
 @misc{pramaggiore_2001, title={Dancer in the dark (on the American Dance Festival)}, volume={XVIII}, number={29}, journal={Independent Weekly}, author={Pramaggiore, M.}, year={2001}, pages={31} }
 @misc{pramaggiore_2001, title={Guerrilla theater, (review of Cat?s-paw)}, volume={XVIII}, number={37}, journal={Independent Weekly}, author={Pramaggiore, M.}, year={2001}, pages={39} }
 @misc{pramaggiore_2001, title={Meet market (review of Selling out:  the gay and lesbian movement goes to market by Alexandra Chasin)}, volume={XVIII}, number={32}, journal={Independent Weekly}, author={Pramaggiore, M.}, year={2001}, pages={28} }
 @misc{pramaggiore_2001, title={Not just politics as usual, (fall theater preview)}, volume={XVIII}, number={36}, journal={Independent Weekly}, author={Pramaggiore, M.}, year={2001}, pages={32–35} }
 @misc{pramaggiore_2001, title={Outside the box (review of Three days of rain)}, volume={XVIII}, number={22}, journal={Independent Weekly}, author={Pramaggiore, M.}, year={2001}, pages={30} }
 @misc{pramaggiore_2001, title={Play tectonics (review of Bash, The laramie project, and The mound builders)}, volume={XVIII}, number={43}, journal={Independent Weekly}, author={Pramaggiore, M.}, year={2001}, pages={33–34} }
 @misc{pramaggiore_2001, title={Processing `the process,? (review of Joan Didion?s Political fictions)}, volume={XVIII}, number={42}, journal={Independent Weekly}, author={Pramaggiore, M.}, year={2001}, pages={34–36} }
 @misc{pramaggiore_2001, title={Risky, frisky, (review of UNC-Chapel Hill?s Lab! Theatre)}, volume={XVIII}, number={40}, journal={Independent Weekly}, author={Pramaggiore, M.}, year={2001}, pages={25} }
 @inbook{pramaggiore_2001, title={Seeing double (s): Reading Deren bisexually}, booktitle={Maya Deren and the American avant-garde}, publisher={Berkeley: University of California Press}, author={Pramaggiore, M.}, year={2001}, pages={237–60} }
 @misc{pramaggiore_2001, title={Setting the record straight (review of Rebels, rubyfruits, and rhinestones:  queering space in the stonewall south by James Sears)}, volume={XVIII}, number={52}, journal={Independent Weekly}, author={Pramaggiore, M.}, year={2001} }
 @misc{pramaggiore_2001, title={Sex, art and analysis (review of A new fine shame)}, volume={XVIII}, number={20}, journal={Independent Weekly}, author={Pramaggiore, M.}, year={2001}, pages={47} }
 @misc{pramaggiore_2001, title={Take four (DoubleTake Documentary Film Festival)}, volume={XVIII}, number={18}, journal={Independent Weekly}, author={Pramaggiore, M.}, year={2001}, pages={24} }
 @misc{pramaggiore_2001, title={Testing taboos (review of Paperdoll psychology)}, volume={XVIII}, number={49}, journal={Independent Weekly}, author={Pramaggiore, M.}, year={2001} }
 @misc{pramaggiore_2001, title={Ties that bind (review of Fit to be tied)}, volume={XVIII}, number={50}, journal={Independent Weekly}, author={Pramaggiore, M.}, year={2001} }
 @misc{pramaggiore_2001, title={Unbending history (review of Bent)}, volume={XVIII}, number={18}, journal={Independent Weekly}, author={Pramaggiore, M.}, year={2001}, pages={41} }
 @inbook{pramaggiore_2001, title={Unmastered subjects: fabricating identity in Joseph Strick?s Ulysses and Portrait of the artist as a young man}, booktitle={James Joyce and the fabrication of an Irish identity}, publisher={Amsterdam; Atlanta, GA: Rodopi}, author={Pramaggiore, M.}, year={2001}, pages={52–70} }
 @article{pramaggiore_1998, title={The Celtic blue note: jazz in Neil Jordan's 'Night in Tunisia', 'Angel' and The 'Miracle'}, volume={39}, ISSN={["0036-9543"]}, DOI={10.1093/screen/39.3.272}, abstractNote={Journal Article The Celtic blue note: jazz in Neil Jordan's ‘Night in Tunisia’, Angel and The Miracle Get access Maria Pramaggiore Maria Pramaggiore Search for other works by this author on: Oxford Academic Google Scholar Screen, Volume 39, Issue 3, Autumn 1998, Pages 272–288, https://doi.org/10.1093/screen/39.3.272 Published: 01 October 1998}, number={3}, journal={SCREEN}, author={Pramaggiore, M}, year={1998}, pages={272–288} }
 @article{pramaggiore_1997, title={Bullet riddled/star-studded history: Neil Jordan's Michael Collins}, volume={1}, number={1}, journal={Jouvert : A Journal of Postcolonial Studies}, author={Pramaggiore, M.}, year={1997} }
 @article{pramaggiore_1997, title={Fishing for girls: Romancing lesbians in new queer cinema}, volume={24}, number={1}, journal={College Literature}, author={Pramaggiore, M.}, year={1997}, pages={59–75} }
 @article{pramaggiore_1997, title={Performance and persona in the US Avant-Garde: The case of Maya Deren}, volume={36}, ISSN={["1527-2087"]}, DOI={10.2307/1225773}, abstractNote={Maya Deren's persona illustrates the similarities between practices of stardom in mainstream and alternative film, and Deren's use of film as a performative art highlights the relationship between film images and persona.}, number={2}, journal={CINEMA JOURNAL}, author={Pramaggiore, M}, year={1997}, pages={17–40} }
 @book{pramaggiore_1996, title={RePresenting bisexualities: Subjects and cultures of fluid desire}, ISBN={0814766331}, publisher={New York: New York University Press}, author={Pramaggiore, M.}, year={1996} }