Maria T. Pramaggiore

Maria Pramaggiore, T. W. (2008). Film a critical introduction. Boston: Pearson/Allyn and Bacon.

Pramaggiore, M. (2007). Irish and African American cinema: Identifying others and performing identities, 1980-2000. Albany, NY: State University of New York Press.

Maria Pramaggiore, T. W. (2006). Film a critical introduction. Boston: Pearson/Allyn and Bacon.

Pramaggiore, M. (2006). [Review of The  horror film]. Film Quarterly, 59(3), 76–77.

Pramaggiore, M. (2006). [Review of The  horror film and psychoanalysis: Freud's worst nightmare]. Film Quarterly, 59(3), 76–77.

Pramaggiore, M. (2005). [Review of Irish national cinema]. Film Quarterly, 59(1), 57–59.

Pramaggiore, M. (2002). [Review of In denial (review of 40 days and 40 nights)]. Independent Weekly, XIX(11), 57.

Pramaggiore, M. (2001). [Review of After AIDS (review of Loss within loss:  artists in the age of AIDS.  Edmund White, ed.)]. Independent Weekly, XVIII(25), 48.

Pramaggiore, M. (2001). [Review of Dancer in the dark (on the American Dance Festival)]. Independent Weekly, XVIII(29), 31.

Pramaggiore, M. (2001). [Review of Guerrilla theater, (review of Cat?s-paw)]. Independent Weekly, XVIII(37), 39.

Pramaggiore, M. (2001). [Review of Meet market (review of Selling out:  the gay and lesbian movement goes to market by Alexandra Chasin)]. Independent Weekly, XVIII(32), 28.

Pramaggiore, M. (2001). [Review of Not just politics as usual, (fall theater preview)]. Independent Weekly, XVIII(36), 32–35.

Pramaggiore, M. (2001). [Review of Outside the box (review of Three days of rain)]. Independent Weekly, XVIII(22), 30.

Pramaggiore, M. (2001). [Review of Play tectonics (review of Bash, The laramie project, and The mound builders)]. Independent Weekly, XVIII(43), 33–34.

Pramaggiore, M. (2001). [Review of Processing `the process,? (review of Joan Didion?s Political fictions)]. Independent Weekly, XVIII(42), 34–36.

Pramaggiore, M. (2001). [Review of Risky, frisky, (review of UNC-Chapel Hill?s Lab! Theatre)]. Independent Weekly, XVIII(40), 25.

Pramaggiore, M. (2001). Seeing double (s): Reading Deren bisexually. In Maya Deren and the American avant-garde (pp. 237–260). Berkeley: University of California Press.

Pramaggiore, M. (2001). [Review of Setting the record straight (review of Rebels, rubyfruits, and rhinestones:  queering space in the stonewall south by James Sears)]. Independent Weekly, XVIII(52).

Pramaggiore, M. (2001). [Review of Sex, art and analysis (review of A new fine shame)]. Independent Weekly, XVIII(20), 47.

Pramaggiore, M. (2001). [Review of Take four (DoubleTake Documentary Film Festival)]. Independent Weekly, XVIII(18), 24.

Pramaggiore, M. (2001). [Review of Testing taboos (review of Paperdoll psychology)]. Independent Weekly, XVIII(49).

Pramaggiore, M. (2001). [Review of Ties that bind (review of Fit to be tied)]. Independent Weekly, XVIII(50).

Pramaggiore, M. (2001). [Review of Unbending history (review of Bent)]. Independent Weekly, XVIII(18), 41.

Pramaggiore, M. (2001). Unmastered subjects: fabricating identity in Joseph Strick?s Ulysses and Portrait of the artist as a young man. In James Joyce and the fabrication of an Irish identity (pp. 52–70). Amsterdam; Atlanta, GA: Rodopi.

Pramaggiore, M. (1998). The Celtic blue note: jazz in Neil Jordan's 'Night in Tunisia', 'Angel' and The 'Miracle'. SCREEN, 39(3), 272–288. https://doi.org/10.1093/screen/39.3.272

Pramaggiore, M. (1997). Bullet riddled/star-studded history: Neil Jordan's Michael Collins. Jouvert : A Journal of Postcolonial Studies, 1(1).

Pramaggiore, M. (1997). Fishing for girls: Romancing lesbians in new queer cinema. College Literature, 24(1), 59–75.

Pramaggiore, M. (1997). Performance and persona in the US Avant-Garde: The case of Maya Deren. CINEMA JOURNAL, 36(2), 17–40. https://doi.org/10.2307/1225773

Pramaggiore, M. (1996). RePresenting bisexualities: Subjects and cultures of fluid desire. New York: New York University Press.