Marsha Gordon

Gordon, M. (2018). [Review of The cinema hypothesis: Teaching cinema in the classroom and beyond]. Critical Inquiry, 44(4), 800–801. https://doi.org/10.1086/698187

Gordon, M., & Everett, D. (2016). 3MM: The smallest gauge. Moving Image, 16(2), 1–20. https://doi.org/10.5749/movingimage.16.2.0001

Gordon, M., & Field, A. N. (2016). The Other side of the tracks: Nontheatrical film history, pre-rebellion Watts, and Felicia. Cinema Journal, 55(2), 1–24. https://doi.org/10.1353/cj.2016.0016

Orgeron, M. (2009). Book review [Review of The Films of Samuel Fuller: if you die, I'll kill you!, by L. Dombrowski]. Historical Journal of Film, Radio and Television, 29(1), 139–141. https://doi.org/10.1080/01439680902834595

Orgeron, M. (2008). Filming The Marines In The Pacific: An Interview With World War II Cinematographer Norman Hatch. Historical Journal of Film, Radio and Television, 28(2), 153–173. https://doi.org/10.1080/01439680802077196

Orgeron, M. (2007). ‘The Most Profound Shock’: Traces of the Holocaust in Sam Fuller's Verboten! (1959) and the Big Red One (1980). Historical Journal of Film, Radio and Television, 27(4), 471–496. https://doi.org/10.1080/01439680701552547