Sharon M. Setzer

The works of Mary Robinson, Vol. 8 (edited volume)

London: Pickering & Chatto.

Angelina: A novel, by Mary Robinson (edited volume)

London: Pickering & Chatto.

Original letters of the celebrated Mrs. Mary Robinson

Philological Quarterly, 88, 305–335.

The Gothic structure of Mary Robinson's memoirs

In Romantic autobiography in England (pp. 31–47). Burlington, VT: Ashgate.

"Pond'rous Engines" in "Outraged Groves": The Environmental Argument of Anna Seward's "Colebrook Dale"

EUROPEAN ROMANTIC REVIEW, 18(1), 69–82.

Life of Mrs. Siddons, Thomas Campbel (edited volume); Womens' theatrical memoirs (vol. 4-6)

In Women's theatrical memoirs (vols. IV-V). London: Pickering & Chatto.

Memoirs of the late Mrs. Robinson, written by herself- Mary Robinson (edited volume); Womens' theatrical memoirs (vol. 1)

In Women's theatrical memoirs (vol. I). London: Pickering & Chatto.

The life of Mrs. Jordan- James Boaden (edited volume); Womens' theatrical memoirs (vol. 2-3)

In Women's theatrical memoirs (vols. II-III). London: Pickering & Chatto.

The dying game: crossdressing in Mary Robinson's Walsingham

Nineteenth-Century Literature Criticism, 142, 229–239.

A letter to the women of England, and, The natural daughter / Mary Robinson (edited volume)

Peterborough, Ont.: Broadview Press.

The dying game: crossdressing in Mary Robinson's Walsingham

Nineteenth-Century Contexts, 22, 305–328.

Mary Robinson's sylphid self: The end of feminine self-fashioning

Romancing the reign of terror: Sexual politics in Mary Robinson's `Natural Daughter'

Criticism, 39(4), 531–555.

PRECEDENT AND PERVERSITY IN WORDSWORTH 'SONNETS UPON THE PUNISHMENT OF DEATH'

NINETEENTH-CENTURY LITERATURE, 50(4), 427–447.

SICILIAN DAYDREAMS AND PARISIAN NIGHTMARES, WORDSWORTH REPRESENTATIONS OF PLUTARCH DION

STUDIES IN ENGLISH LITERATURE 1500-1900, 32(4), 607–624.

EXCURSIONS INTO THE WILDERNESS - WORDSWORTH VISIONARY KINGDOMS AND THE TYPOGRAPHY OF MILTONIC REVISION

STUDIES IN ROMANTICISM, 30(3), 367–389.

Wordsworth's Wanderer, the epitaph, and the uncanny

Genre (University of Illinois at Chicago Circle), 24, 361–379.