Mary Witt

Witt, M. A. F. (2020, April). A 'New' Woman in Verga and Pirandello: From Page to Stage. MODERN LANGUAGE REVIEW, Vol. 115, pp. 479–480. https://doi.org/10.5699/modelangrevi.115.2.0479

Witt, M. A. F. (2017, October). The Birth of Theater from the Spirit of Philosophy: Nietzsche and the Modern Drama. COMPARATIST, Vol. 41, pp. 371–373. https://doi.org/10.1353/com.2017.0025

Witt, M. A. F. (2016, September). Extravagance and three other plays. JOURNAL OF MODERN ITALIAN STUDIES, Vol. 21, pp. 692–694. https://doi.org/10.1080/1354571x.2016.1207338

Witt, M. A. F. (2015). Dramas of the Past on the Twentieth-Century Stage: In History's Wings. MODERN DRAMA, Vol. 58, pp. 263–265. https://doi.org/10.3138/md.2015.58.2.263

Witt, M. (2013). Metatheater and modernity: Baroque and neobaroque. Madison [N.J.]: Fairleigh Dickinson University Press.

Witt, M. A. F. (2011). [Review of Dramas of culture: Theory, history, performance]. Comparative Literature Studies, 48(2), 263–266. https://doi.org/10.5325/complitstudies.48.2.0263

Witt, M. A. F. (2010). THE TARGET. COMPARATIVE LITERATURE, Vol. 62, pp. 100–102. https://doi.org/10.1215/00104124-2009-038

Witt, M. A. F. (2009). Babies and Books: Birth as Metaphor in Nietzsche and Pirandello. COMPARATIVE CRITICAL STUDIES, 6(2), 183–200. https://doi.org/10.3366/E174418540900069X

Witt, M. A. F. (2009). From Saint Genesius to Kean: Actors, martyrs, and metatheater. Comparative Drama, 43(1), 19–44. https://doi.org/10.1353/cdr.0.0044

Witt, M. A. F. (2001). The humanities: Cultural roots and continuities (6th ed.). Boston, MA : Houghton Mifflin.

Witt, M. A. F. (2001). The search for modern tragedy: Aesthetic fascism in Italy and France. Ithaca, NY: Cornell University Press.

Witt, M. A. F. (2000). Afterword [to Her husband, translation of Luigi Pirandello's Suo marito]. In Her husband. Durham, N.C.: Duke University Press.

Witt, M. A. F. (1998). [Review of I silenzi dei testi e i silenzi della critica, ed. by Carla Locatelli.]. Comparatist, 22(1998 May), 196–198.

Witt, M. A. F. (1997). La patente tra mimesi e diegesi. In Pirandello e la sua opera. Palermo: Palumbo.

Witt, M. A. F. al. (1993). The Humanities: Cultural roots and continuities. (4th ed.). Lexington, Mass.: D.C. Heath.

Witt, M. A. F. (1985). Existential prisons captivity in mid-twentieth-century French literature. Durham: Duke University Press.

Witt, M. A. F. (1980). The Humanities, cultural roots and continuities. Lexington, Mass.: D. C. Heath.