English

What was said and what was left unsaid: 'Black Boy' as survival guide for a Black man and artist (Richard Wright)

CLA Journal (College Language Association), 42(2), 147–163.

Sed caret fine: La idea de la perpetuo en la filosofia y la poesia medievales

Anuario Filosofico, 31(1998), 431–453.

Review of Gerard Genette, Palimpsests: Literature in the second degree

[Review of ]. Modern Fiction Studies, 44(4), 1043–1048.

In different spaces: Place and memory in visual culture

Semiotica, 121(3-4), 317–335.

Beautiful poisoners: 'Rappaccini's daughter', Hannah Kinney's 1840 murder trial, and the problem of criminal responsibility

ESQ, 44(3), 125–159.

American English: Dialects and variation

Cambridge, Oxford; Malden, MA: Blackwell Publishers.

Vintage murders in Zen Nirvana; final ed.

News and Observer [Raleigh, N.C.], (1998 Dec. 13), G5.

The dynamics of writing review: Opportunities for growth and change in the workplace

Stamford, CN: Ablex Pub. Corp.

Hope for a good season: The Ca'e Bankers of Harkers Island

Asheboro, NC: Down Home Press.

Victorian poets and the politics of culture: Discourse and ideology

Charlottesville, VA: University Press of Virginia.

What does 'atypical' typically mean?

Author's reply to comment on `Scripts, Sequences, and Stories'

The mottled screen: Reading proust visually.

[Review of ]. Configurations, 6(3), 397–399.

Review of Terry Eagleton, Literary theory: An introduction, 2nd ed.

[Review of ]. Substance, (86), 139–142.

Cornelius Lanczos: Collected published papers with commentaries

Raleigh, NC: College of Physical and Mathematical Sciences, North Carolina State University.

Investigating ''self-conscious'' speech: The performance register in Ocracoke English

Language in Society, 27(1), 53–83.

Building a truly World Wide Web: A review of the essentials of international communication

Technical Communication (Society for Technical Communication), 45(2), 197–206.

The Celtic blue note: Jazz in Neil Jordan's 'Night in Tunisia', 'Angel' and The 'Miracle'

Screen, 39(3), 272–288.

Limits of order: Toward a theory of polychronic narration

Narrative, 6(1), 72–95.

Mary Robinson's sylphid self: The end of feminine self-fashioning