@article{greene_2022, title={Religious Dimensions of Beethoven's Ode "To Joy" What Happens When Music Rewrites the Text}, volume={26}, ISSN={["1568-5292"]}, DOI={10.1163/15685292-02605004}, abstractNote={Abstract Hearing a song, listeners can often pick up the syntactical relationships among its words only with great difficulty. The musical flow washes away most of the syntax, and the musical connections from one phrase to the next or one section to the next, sometimes even from one note to the next, are what connect the words to one another and give them meanings very different from their submerged syntactically fixed meanings. This article probes the musical relationships joining the phrases in Beethoven’s Freude theme and attempts to paraphrase “joy” and “brotherhood” as their meanings are qualified by the musically determined relation of each to the other. It pays particular attention to the music that sets texts with a religious dimension, and the way their musical connections change the meaning of joy and brotherhood.}, number={5}, journal={RELIGION AND THE ARTS}, author={Greene, David B.}, year={2022}, month={Dec}, pages={635–659} }
 @book{greene_2012, title={The spirituality of Mozart's Mass in C minor, Bach's Mass in B minor, and Messiaen's "Quartet for the end of time": when hearing sacred music is relating to God}, publisher={Lewiston, N.Y.: Edwin Mellen Press}, author={Greene, D. B.}, year={2012} }
 @book{greene_2012, title={The theology of Handel's "Messiah," Beethoven's "Credo," and Verdi's "Dies irae": How listening to sung theology leads to the contemplation of God}, publisher={Lewiston, NY: Edwin Mellen Press}, author={Greene, D. B.}, year={2012} }
 @book{greene_melissa a. butler._2010, title={The imagining of community in the arts of Guatemala weaving, folk tales, marimba performance, contemporary painting}, publisher={Lewiston, NY: Edwin Mellen Press}, author={Greene, David B. and Melissa A. Butler.}, year={2010} }
 @book{greene_melissa a. butler_2010, title={The imagining of community in works of Beethoven, Verdi, and Shostakovich musical means for envisioning community}, publisher={Lewiston, NY: Edwin Mellen Press}, author={Greene, David B. and Melissa A. Butler}, year={2010} }
 @article{greene_2009, title={Shostakovich and the pursuit of the common good: A musical contribution to civic republicanism}, volume={92}, number={3-4}, journal={Soundings}, author={Greene, D. B.}, year={2009}, pages={239–257} }
 @book{translated_david b. greene_2007, title={How war makes politics impossible a philosophical analysis of the two ways we deal with "otherness"}, publisher={Lewiston, NY: Edwin Mellen Press}, author={translated and David B. Greene}, year={2007} }
 @book{greene_2006, title={How to respond to strangeness in art four studies in the unfamiliar}, publisher={Lewiston, NY: Edwin Mellen Press}, author={Greene, David B.}, year={2006} }
 @book{greene_2005, title={Music in search of itself: Essays on music about music}, ISBN={0773463356}, publisher={Lewiston, NY: Edwin Mellen Press}, author={Greene, D. B.}, year={2005} }
 @book{lee_greene_wellman_al._2004, title={Teaching and learning through inquiry: A guidebook for institutions and instructors}, publisher={Sterling, Va.: Stylus Pub.}, author={Lee, V. S. and Greene, D. B. and Wellman, D. J. and al.}, year={2004} }
 @article{greene_2000, title={Benjamin Britten's 'War Requiem': The end of religious music (A liturgical indictment of musical aesthetics)}, volume={83}, number={1}, journal={Soundings}, author={Greene, D. B.}, year={2000}, pages={89–100} }