Helen Burgess

Burgess, H. J. (2024, April 2). Reprogrammable Rhetoric: Critical Making Theories and Methods in Rhetoric and Composition. RHETORIC REVIEW, Vol. 43, pp. 152–154. https://doi.org/10.1080/07350198.2024.2316394

Burgess, H. J., & Harrington, T. (2022). Chapter 13. The Sound of Type: Multimodal Aesthetics. In Amplifying Soundwriting Pedagogies: Integrating Sound into Rhetoric and Writing (pp. 173–182). https://doi.org/10.37514/pra-b.2022.1688.2.13

Burgess, H. J., & Alves, T. (2022). Exploring the Nuances. Commonplace, 11. https://doi.org/10.21428/6ffd8432.c6ed87b2

Burgess, H., & Hamming, J. (2021). Futurama, Autogeddon. In M. Vandegrift, K. Dufresne, C. Clower, & E. Cox (Eds.), North Carolina State University Libraries. https://doi.org/10.52750/493205

Burgess, H. J. (2021). Machine Dream Anthropocene: On Taking a Bot to the MLA. CONFIGURATIONS, 29(1), 73–95. https://doi.org/10.1353/con.2021.0003

Burgess, H. J. (2021). The Voice of the Polyrhetor: Physical Computing and the (e-)Literature of Things. Electronic Literature as Digital Humanities. https://doi.org/10.5040/9781501363474.ch-018

Maher, J., Burgess, H. J., & Menzies, T. (2019). Good Computing with Big Data. In J. Jones & L. Hirsu (Eds.), Rhetorical Machines (pp. 190–211). Tuscaloosa: University of Alabama Press.

Introduction: Critical Making and Executable Kits. (2019). Enculturation: a Journal of Rhetoric, Writing, and Culture. Retrieved from http://www.enculturation.net/critical-making-and-executable-kits

The Fates of Things. (2019). Enculturation: a Journal of Rhetoric, Writing, and Culture. Retrieved from http://www.enculturation.net/fates

Burgess, H. J., & Simon, M. (2018, August 2). Intimate Fields.

Intimate Fields: A Kit for E-Literature. (2018). Matlit: Revista Do Programa De Doutoramento Em Materialidades Da Literatura. https://doi.org/10.14195/2182-8830

Burgess, H. J. (2018). Publish All the Things: The Life (and Death) of Electronic Literature. The Journal of Electronic Publishing, 21(1). https://doi.org/10.3998/3336451.0021.105

Boyle, J. E., & Burgess, H. J. (2017). The Routledge Research Companion to Digital Medieval Literature. In Routledge (pp. 1–5). https://doi.org/10.4324/9781315696041

Burgess, H. J. (2016). Tasty Gougère. Electronic Literature Organization Collection Vol. 3.

Burgess, H. J. (2015). Data Visualization. Hyperrhiz: New Media Cultures, 11(13), 1–1. https://doi.org/10.20415/hyp/013.i03

Burgess, H. J. (2015). Love Notes and Intimate Circuits. Hyperrhiz: New Media Cultures, 11(13), 1–1. https://doi.org/10.20415/hyp/013.m02

Burgess, H. J., & Hamming, J. (2014). Highways of the Mind. In University of Pennsylvania Press. University of Pennsylvania Press.

Swiss, T., & Burgess, H. (2012). Collaborative New Media Poetry: Mixed and Remixed. In The Handbook of Participatory Cultures (pp. 73–81). Routledge.

New Media in the Academy: Labor and the Production of Knowledge in Scholarly Multimedia. (2011).

[?php]: 'Invisible' Code and the Mystique of Web Writing. (2010).

Burgess, H. J. (2009). How to read an electric poem. Unpublished conference paper. Presented at the Society for Literature, Science and the Arts, Atlanta, GA.

Mitchell, R., Burgess, H. J., & Thurtle, P. (2008). Biofutures: Owning Body Parts & Information. University of Pennsylvania Press.

Burgess, H. J. (2008). Introduction: Move. Hyperrhiz: New Media Cultures, 10(5), 1–1. https://doi.org/10.20415/hyp/005.i01

Burgess, H. J. (2008). Introduction: e-Lit. Hyperrhiz: New Media Cultures, 1(4), 1–1. https://doi.org/10.20415/hyp/004.i01

Burgess, H. (2007). 'Nature without Labor’: Virgin Queen and Virgin Land in Sir Walter Ralegh’s The Discoverie of the Large, Rich, and Bewtiful Empyre of Guiana. In Goddesses and Queens: The Iconography of Elizabeth I (pp. 101–114). Manchester University Press.

Burgess, H. J. (2007). Introduction: SpaceWorks. Hyperrhiz: New Media Cultures, 8(3), 1–1. https://doi.org/10.20415/hyp/003.i01

Burgess, H. J. (2006). "Road of giants": Nostalgia and the ruins of the superhighway in Kim Stanley Robinson's Three Californias Trilogy. Science-Fiction Studies, 33(2), 275–290. Retrieved from http://www.scopus.com/inward/record.url?eid=2-s2.0-63549146590&partnerID=MN8TOARS

Burgess, H. J. (2006). Introduction: Video Kill'd. Hyperrhiz: New Media Cultures, 12(2), 1–1. https://doi.org/10.20415/hyp/002.i01

Burgess, H. J., & Nelson, J. (2005). Introduction/Commentary. Hyperrhiz: New Media Cultures, 12(1), 1–1. https://doi.org/10.20415/hyp/001.i01

Futurama, Autogeddon: Imagining the Superhighway from Bel Geddes to Ballard. (2004).

Burgess, H., Hamming, J., & Markley, R. (2003). The Dialogics of New Media: Video, Visualization, and Narrative in Red Planet: Scientific and Cultural Encounters with Mars. In Eloquent Images: Writing Visually in New Media (pp. 61–85). MIT Press.

Mapping Bodies, Mapping Subjects: Missing the Mind's Eye from the X-Ray to the Human Genome. (2002).

The Ghost in the Mechanism: Virtual Bodies, Mechanical Ghosts, and Crash-Test Dummies. (2002).

Burgess, H. (2001). Looking Back on Virtuality: the Strange Corporeographies of Cyberspace. Spectator: The University of Southern California Journal of Film and Television Criticism, 21(1), 71–81.

Markley, R., Higgs, H., Kendrick, M., & Burgess, H. (2001). Red Planet: Scientific and Cultural Encounters with Mars. In University of Pennsylvania Press. University of Pennsylvania Press.