Kristen Turner

Bombola, G., & Turner, K. M. (2022, June 10). Respectability, Prestige, and the Whiteness of Opera in American Popular Entertainment from 1890 to 1937. MUSICAL QUARTERLY, Vol. 6. https://doi.org/10.1093/musqtl/gdac004

Turner, K. M. (2020). A New Performance for the New World: Carmen in America. In C. Rowland & R. L. Smith (Eds.), Carmen Abroad (pp. 113–139). Cambridge, UK: University of Cambridge Press.

Carmen Abroad: Bizet's Opera on the Global Stage. (2020). In CARMEN ABROAD: BIZET'S OPERA ON THE GLOBAL STAGE (pp. 1–363). https://doi.org/10.1017/9781108674515

Turner, K. M. (2020). Faust and the Power of Operatic Performance by African Americans. Journal of the American Musicological Society, 73(3), 741–748.

Special Issue on The Arts in the Black Press During the Age of Jim Crow. (2020). American Studies.

Blue Monday and New York Theatrical Aesthetics. (2019).

Turner, K. M. (2019). Gershwin and the Past: Blue Monday and New York Theatrical Aesthetics. In A. Celenza (Ed.), The Cambridge Companion to Gershwin (pp. 59–79). Cambridge, UK: University of Cambridge Press.

Turner, K. M. (2019, February). Harry T. Burleigh: From the Spiritual to the Harlem Renaissance. JOURNAL OF THE SOCIETY FOR AMERICAN MUSIC, Vol. 13, pp. 128–131. https://doi.org/10.1017/S1752196318000603

Turner, K. M. (2017). Historic American Sheet Music. JOURNAL OF THE AMERICAN MUSICOLOGICAL SOCIETY, Vol. 70, pp. 565–575. https://doi.org/10.1525/jams.2017.70.2.565

Turner, K. M. (2017). Justifiable Homicide: The Life and Death of Carmen in Late Nineteenth-Century America. In L. Fallwell & K. Williams (Eds.), Gender and the Representation of Evil (pp. 143–155). New York: Routledge.

Opera in English: Class and Culture in America, 1878-1910. (2016).

Turner, K. (2015). Class, Race, and Uplift in the Opera House: The Theodore Drury Grand Opera Company Crosses the Color Line. Journal of Musicological Research, 34(4), 320–351.

Turner, K. M. (2015). Class, Race, and Uplift in the Opera House: Theodore Drury and His Company Cross the Color Line. JOURNAL OF MUSICOLOGICAL RESEARCH, 34(4), 320–351. https://doi.org/10.1080/01411896.2015.1082380

Opera in English: Class and Culture in America, 1878-1910. (2015).

A Joyous Star-Spangled-Bannerism: Emma Juch, Opera in English Translation, and the American Cultural Landscape in the Gilded Age. (2014). Journal of the Society for American Music, 8(2), 219–252.