Laura Severin

Severin, L. (2020). Valerie Gillies: Inscriptions in the Wind. CONTEMPORARY WOMENS WRITING, 14(2-3), 220–237. https://doi.org/10.1093/cww/vpaa019

Severin, L. (2017). Locating Valerie Gillies's The Cream of the Well: A critical introduction to the poems and an interview with the poet. Scottish Literary Review, 9(1), 115–139.

Severin, L. (2015). Redefining the Poet as Healer: Valerie Gillies's Collaborative Role in the Edinburgh Marie Curie Hospice Quiet Room Project. LITERATURE AND MEDICINE, 33(1), 184–201. https://doi.org/10.1353/lm.2015.0007

Severin, L. (2010). Close closer closest: re-envisioning sculpture and poetry through craft. Mosaic (Winnipeg, Man.), 43(2), 59–78.

Severin, L. (2008). Dedefining the Scottish landscape: Valerie Gillies's tweed journey. Scottish Studies Review, 9(2), 93–107.

Severin, L. (2006). Distant resonances: Contemporary Scottish women poets and African-American music. Mosaic (Winnipeg, Man.), 39(1), 45–59.

Severin, L. (2004). Poetry off the page: Twentieth-century British women poets in performance. https://doi.org/10.4324/9781315246628

Severin, L. (2003). 'The gilt is off the gingerbread': Stevie Smith's revisionary fairy tales. JOURNAL OF GENDER STUDIES, 12(3), 203–214. https://doi.org/10.1080/0958923032000141544

Severin, L. (2003). Disinvolve, disassociate: Stevie Smith and the politics of passive experiment. In And in our time: Vision, revision, and British writing of the 1930s (pp. 133–146). Lewisburg, Pa.: Bucknell University Press; London: Associated University Presses.

Severin, L. (2002). British women's comic fiction, 1890-1990: Not drowning, but laughing. Tulsa Studies in Women's Literature, 21(2), 399–402.

Severin, L. (2002). [Review of Women, modernism, and British poetry, 1910-1939: Resisting femininity]. Tulsa Studies in Women's Literature, 21(2), 399–402.

Severin, L. (1998). Becoming and unbecoming: Stevie Smith as a performer. Text and Performance Quarterly, 18(1), 22–36. https://doi.org/10.1080/10462939809366207

Severin, L. (1997). Stevie Smith's resistant antics. Madison: University of Wisconsin Press.