Marsha Gordon

Film as Cultural Practice

Film, Form, and Culture

Formal Structures

Global Cinema

Image and Reality

Introduction

The Building Blocks of Film I

The Building Blocks of Film II

The Stories Told by Film I

The Stories Told by Film II

The Storytellers of Film I

The Storytellers of Film II

The Storytellers of Film III

Becoming the Ex-Wife: The Unconventional Life and Forgotten Writings of Ursula Parrott

Oakland, CA: University of California Press.

Gauging Film History: An Exquisite Corpse

Framework: The Journal of Cinema and Media, 63(1), 126–130.

Madge Tyrone

In J. Gaines, R. Vatsal, & M. Dall’Asta (Eds.), Women Film Pioneers Project. NY: Columbia University Libraries.

Making Concessions: A Tale of Capitalism, Control, and Snacks

Pipewrench, (5). https://pipewrenchmag.com/making-concessions-movies-and-popcorn/

Reflections on the Decision to Teach Darnella Frazier’s Cellphone Video of the Murder of George Floyd, and on Changing My Mind

[Teaching Dossier]. Journal of Cinema and Media Studies (JCMS). https://quod.lib.umich.edu/cgi/t/text/idx/j/jcms/18261332.0061.902/--reflections-on-the-decision-to-teach-darnella-fraziers?rgn=main;view=fulltext

The Stories We Tell: Contemporary Film and Media: Plots in the Coronavirus Age

Gordon, M. (2022, June 22).

The Stories We Tell: Infectious Disease and Film History

Gordon, M. (2022, June 22).

You Can’t Say They Didn’t Try: Environmentally Conscious Documentaries — Part 1

Gordon, M. (2022, January 15). (Vol. 1). Vol. 1.

You Can’t Say They Didn’t Try: Environmentally Conscious Documentaries — Part 2

Gordon, M. (2022, January 15). (Vol. 1). Vol. 1.

Dusting Off that Old Projector: Preservation through Projection

The American Archivist, 84(1), 139–164.

Face-to-Face Teaching During the COVID-19 Pandemic: Some Practical Advice for Fall Classes

Gordon, M. (2021, August 20). https://delta.ncsu.edu/news/2021/08/20/face-to-face-teaching-during-the-covid-19-pandemic-some-practical-advice-for-fall-classes/

Going to the Show Again

LA Review of Books Quarterly, (31). https://lareviewofbooks.org/article/going-to-the-show-again/

Seeing Life Through a Different Lens

Sight + Sound, 31(3), 19–21.

The subversive joys of Joan Micklin Silver's little-known New York City short films

Gordon, M. (2021, March 13). Salon. https://www.salon.com/2021/03/13/joan-micklin-silver-short-films-fur-coat-club-elevator-duck/

‘Lights, Camera-maids, Action!’: Women Behind the Lens in Early Cinema

Los Angeles Review of Books. https://lareviewofbooks.org/article/lights-camera-maids-action-women-behind-the-lens-in-early-cinema/

Creative Encounters with Film History: Thomas Edison Then/Now

[Teaching Dossier]. Journal of Cinema and Media Studies, 5(2).

On the history (and future) of art documentaries and the film program at the National Gallery of Art

Screening Race in American Nontheatrical Film

The American World War II Film

#MeToo on the 1930s silver screen

The Conversation. https://theconversation.com/metoo-on-the-1930s-silver-screen-92321

A Double Feature: Sam Fuller’s The Steel Helmet and Stanley Kubrick’s Fear and Desire

Cineaste, XLIII(4), 32–35.

Brett Kavanaugh goes to the movies

The Conversation. https://theconversation.com/brett-kavanaugh-goes-to-the-movies-104182

Is it Time For a 21-st Century Version of The Day After?

The Conversation. https://theconversation.com/is-it-time-for-a-21st-century-version-of-the-day-after-90270

Nontheatrical Media

Feminist Media Histories, 4(2), 128–134.

Six Must-See 21st Century Documentaries About Life in North Carolina

Gordon, M. (2018, June 14). NCSU News Services. https://news.ncsu.edu/2018/06/six-documentaries-about-nc/

The cinema hypothesis: Teaching cinema in the classroom and beyond

Critical Inquiry, Vol. 44, pp. 800–801.

Blade Runner’s Chillingly Prescient Vision of the Future

The Conversation. https://theconversation.com/blade-runners-chillingly-prescient-vision-of-the-future-84973

Film is Like a Battleground

Review of Alain Bregala’s The Cinema Hypothesis: Teaching Cinema in the Classroom and Beyond

[Review of The Cinema Hypothesis: Teaching Cinema in the Classroom and Beyond, by A. Bergala]. Critical Inquiry. https://criticalinquiry.uchicago.edu/marsha_gordon_reviews_the_cinema_hypothesis/

3MM: The smallest gauge

Moving Image, 16(2), 1–20.

The Other side of the tracks: Nontheatrical film history, pre-rebellion Watts, and Felicia

Cinema Journal, 55(2), 1–24.

An Introduction to the Bastard Film Encounter

INCITE: Journal of Experimental Media, 6, 130–132.

Editor's Foreword

The Moving Image: The Journal of the Association of Moving Image Archivists, 13(1), viii.

Hettie Gray Baker

In J. Gaines, R. Vatsal, & M. Dall’Asta (Eds.), Women Film Pioneers Project. https://wfpp.columbia.edu/pioneer/ccp-hettie-gray-baker/

Lenticular Spectacles: Kodacolor's Fit in the Amateur Arsenal

Film History, 25(4), 36.

A History of Learning with the Lights Off

In D. Orgeron, M. Gordon, & D. Streible (Eds.), Learning With the Lights Off: Educational Film in the United States (pp. 15–66). UK: Oxford University Press.

Editors' Foreword

The Moving Image, 12(1), viii-xiv.

GI’s Documenting Genocide: Amateur Films of WWII Concentration Camps

In T. Crowder & K. Wilson (Eds.), Film and Genocide (pp. 170–186). Madison, WI: University of Wisconsin Press.

Learning with the Lights Off: Educational Film in the United States

Oxford University Press.

Multi-Purposing Early Cinema: A Psychological Experiment Involving Van Bibber’s Experiment (Thomas Edison, 1911)

In M. Braun, C. Keil, R. King, P. Moore, & L. Pelletier (Eds.), Beyond the Screen: Institutions, Networks and Publics of Early Cinema (pp. 153–160). UK: John Libbey.

‘A Decent and Orderly Society’: Race Relations in Riot-Era Educational Films, 1966-1970

In D. Orgeron, M. Gordon, & D. Streible (Eds.), Learning With the Lights Off: Educational Film in the United States (pp. 424–441). UK: Oxford University Press.

Editors' Foreword

The Moving Image, 11(2), viii-xi.

Editors’ Foreword

The Moving Image, 11(1), viii-xiv.

Object Lessons: <i>An Introduction to an Interview with Jan Švankmajer That Turned into an Essay by Jan Švankmajer</i>

The Moving Image, 11(2), 100–102.

Alexander Bogardy's Beauty Books

In Raw Vision (pp. 48–51). National Gallery of Art.

Editors’ Foreword

The Moving Image, 10(1), vii-xiii.

"You Are Invited to Participate": Interactive Fandom in the Age of the Movie Magazine

Journal of Film and Video, 61(3), 3–23.

Book review

[Review of The Films of Samuel Fuller: if you die, I'll kill you!, by L. Dombrowski]. Historical Journal of Film, Radio and Television, 29(1), 139–141.

Review of Lisa Dombrowski’s The Films of Sam Fuller: If You Die I’ll Kill You!

[Review of The Films of Sam Fuller: If You Die I’ll Kill You!, by L. Dombrowski]. The Historical Journal of Film, Radio and Television, 29(1), 139–141.

Filming The Marines In The Pacific: An Interview With World War II Cinematographer Norman Hatch

Historical Journal of Film, Radio and Television, 28(2), 153–173.

Hollywood Ambitions: Celebrity in the Movie Age

MIddletown, Connecticut: Wesleyan University Press.

The History of Media Celebrity

In R. Kolker (Ed.), The Oxford Handbook of Film and Media Studies (pp. 187–223). New York: Oxford University Press.

&quot;I Came Back as Nobody&quot;: An Interview with the Former Baby Peggy

Framework: The Journal of Cinema and Media, 48(1), 4–22.

&quot;Something Different in Science Films&quot;: The Moody Institute of Science and the Canned Missionary Movement

The Moving Image, 7(1), 1–26.

Familial Pursuits, Editorial Acts: Documentaries after the Age of Home Video

The Velvet Light Trap, 60(1), 47–62.

Megatronic Memories: Errol Morris and the Aesthetics of Observation

In F. Guerin & R. Hallas (Eds.), The Image and the Witness (pp. 238–252). London: Wallflower Press.

‘The Most Profound Shock’: Traces of the Holocaust in Sam Fuller's Verboten! (1959) and the Big Red One (1980)

Historical Journal of Film, Radio and Television, 27(4), 471–496.

How Much Reality Can You Handle? Full Frame Documentary Festival

Gordon, M. (2006, April). Raleigh Hatchet.

LIBERATING IMAGES? Samuel Fuller's Film of Falkenau Concentration Camp

Film Quarterly, 60(2), 38–47.

"Divine Teachings.” Alexander Bogardy

In Divine Aesthete exhibit catalogue.

Review essay of African Americans in Cinema CD-Rom

Contours: A Journal of the African Diaspora, 3(1), 119–126.

A How-to in Grassroots Political Filmmaking

Gordon, M. (2004, October 15). Technician, pp. 5–6.

Alexander Bogardy: Singular Pursuits.” With Peggy Parsons, National Gallery of Art

Folk Art, the Magazine of the American Folk Art Museum, 62–67.

Alexander Bogardy: The Union of Divinity, Cosmetology & Art

Alexander Bogardy: The Union of Divinity, Cosmetology & Art. Folk Art Messenger, 16(2), 8–12.

Happiness

In 1001 Movies You Must See Before You Die (p. 891). London: Quintet.

Making It in Hollywood: Clara Bow, Fandom, and Consumer Culture

Cinema Journal, 42(4), 76–97.

Now, Voyager

In 1001 Movies You Must See Before You Die (p. 183). London: Quintet.

Rethinking Authorship: Jack London and the Motion Picture Industry

American Literature, 75(1), 91–117.

The Road to Nowhere: Stephen Crane’s Maggie: A Girl of the Streets

In J. Fisher & E. Silber (Eds.), Women in Literature: Evaluating Fiction for Gender Bias (pp. 185–187). Westport, CT: Greenwood Publishing.

Eating Their Words: Consuming Class a la Chaplin and Keaton

College Literature, 28(1), 84–104.

Interventions: An Interview with Isaac Julien

COIL (UK), (9/10).

“What makes a girl who looks like that get mixed up in science?”;: Gender in Sam Fuller's films of the 1950s

Quarterly Review of Film and Video, 17(1), 1–17.

Onward Kitchen Soldiers: Mobilizing the Domestic During World War I

Canadian Review of American Studies, 29(2), 61–88.

Cinematic Violations in Peter Greenaway's The Baby of Mâcon

Enculturation, 2(1).

Review of Donald Pizer's American Expatriate Writing and The Paris Moment

[Review of American Expatriate Writing and The Paris Moment, by D. Pizer]. American Studies International, 36(1), 91–92.