@misc{gordon_2018, title={The cinema hypothesis: Teaching cinema in the classroom and beyond}, volume={44}, DOI={10.1086/698187}, number={4}, journal={Critical Inquiry}, author={Gordon, M.}, year={2018}, pages={800–801} }
 @article{gordon_everett_2016, title={3MM: The smallest gauge}, volume={16}, DOI={10.5749/movingimage.16.2.0001}, number={2}, journal={Moving Image}, author={Gordon, M. and Everett, D.}, year={2016}, pages={1–20} }
 @article{gordon_field_2016, title={The Other side of the tracks: Nontheatrical film history, pre-rebellion Watts, and Felicia}, volume={55}, DOI={10.1353/cj.2016.0016}, number={2}, journal={Cinema Journal}, author={Gordon, M. and Field, A. N.}, year={2016}, pages={1–24} }
 @misc{orgeron_2009, title={Book review}, volume={29}, ISSN={0143-9685 1465-3451}, url={http://dx.doi.org/10.1080/01439680902834595}, DOI={10.1080/01439680902834595}, number={1}, journal={Historical Journal of Film, Radio and Television}, publisher={Informa UK Limited}, author={Orgeron, Marsha}, year={2009}, month={Mar}, pages={139–141} }
 @article{orgeron_2008, title={Filming The Marines In The Pacific: An Interview With World War II Cinematographer Norman Hatch}, volume={28}, ISSN={0143-9685 1465-3451}, url={http://dx.doi.org/10.1080/01439680802077196}, DOI={10.1080/01439680802077196}, number={2}, journal={Historical Journal of Film, Radio and Television}, publisher={Informa UK Limited}, author={Orgeron, Marsha}, year={2008}, month={Jun}, pages={153–173} }
 @article{orgeron_2007, title={‘The Most Profound Shock’: Traces of the Holocaust in Sam Fuller's Verboten! (1959) and the Big Red One (1980)}, volume={27}, ISSN={0143-9685 1465-3451}, url={http://dx.doi.org/10.1080/01439680701552547}, DOI={10.1080/01439680701552547}, number={4}, journal={Historical Journal of Film, Radio and Television}, publisher={Informa UK Limited}, author={Orgeron, Marsha}, year={2007}, month={Oct}, pages={471–496} }