@article{freitag_2019, title={From South Asia to World History through C. A. Bayly's Work}, volume={78}, ISSN={["1752-0401"]}, DOI={10.1017/S0021911819001189}, abstractNote={Using the term “legacy” for a career as productive, insightful, and pathbreaking as Chris Bayly's is doubtless an understatement. The movement in his publications from the transitional world in the Indian subcontinent leading to British imperialism, through aspects of high empire in India, to world history through both case studies and broader context for grasping the implications of a changing world, provides valuable analyses for all of us, if not a pattern many could replicate. Perhaps what ought to be noted here is the experience, common to many of us working across a very broad range of problematics and focal points, to have found Bayly there, before us.}, number={4}, journal={JOURNAL OF ASIAN STUDIES}, author={Freitag, Sandria B.}, year={2019}, month={Nov}, pages={869–881} }
 @article{freitag_2015, title={Postscript: Exploring Aspects of 'the Public' from 1991 to 2014}, volume={38}, ISSN={["1479-0270"]}, DOI={10.1080/00856401.2015.1052927}, abstractNote={This essay suggests the expanded scholarly terrain created to analyse ‘the public’ that has been mapped between an initial special issue of the journal South Asia: Journal of South Asian Studies (published in 1991) and this current essay collection (of 2015). In the process, it suggests not only what new scholarly interests and skills, as well as new sites for analysis, have opened up, but also points to issues yet unaddressed, along with elements of visual culture that scholars interested in ‘the public’ could consider. For the realm of the visual remains, even after 25 years, largely unconnected to analyses of ‘the public’, despite its centrality to the ways in which public issues, enactments and interests are expressed and debated. To provide overarching ways to think about how the essays presented here treat ‘the public’, as well as to draw attention to issues still not addressed that offer future challenges, this essay suggests conceptualising the subject around four aspects that emerged when the authors met together: the public as enacted; the public as envisioned; public space, both rhetorical and actual; and concepts of the public expressed as belief, interpretation, understandings, values and ‘public opinion’—that is, as concepts understood to motivate and influence their audiences.}, number={3}, journal={SOUTH ASIA-JOURNAL OF SOUTH ASIAN STUDIES}, author={Freitag, Sandria B.}, year={2015}, month={Jul}, pages={512–523} }
 @article{freitag_2014, title={A Visual History of Three Lucknows}, volume={37}, ISSN={["1479-0270"]}, DOI={10.1080/00856401.2014.930083}, abstractNote={In part, this essay suggests one aspect of the new ‘visual turn’ in history, treating as evidence the production and reception of visual-culture artefacts. In part, it is concerned with the way that the objects and practices linked to visual culture established a sense of place for urban locales, and how that changed over time. Visual entry points for that sense of place are many: the built environments (and how their use and imputed meanings altered); the two-dimensional representations (such as photographs and posters) of these monuments and significant buildings that called out the storied meanings associated with them; the photographic documentations of everyday life; and the organisations and activities/events staged around and through built environments in each place.}, number={3}, journal={SOUTH ASIA-JOURNAL OF SOUTH ASIAN STUDIES}, author={Freitag, Sandria B.}, year={2014}, pages={431–453} }
 @article{freitag_2014, title={The Visual Turn: Approaching South Asia across the Disciplines}, volume={37}, ISSN={["1479-0270"]}, DOI={10.1080/00856401.2014.930012}, abstractNote={This introductory essay raises a range of issues that have emerged as studies of South Asia culture, society and history have taken a ‘visual turn’. This special of South Asia deliberately juxtaposes articles that would not ordinarily be read together, as they treat art history, history, anthropology and literary studies to underscore their shared interest in visual evidence produced at moments of crucial change. In the process, we hope to expand both the larger scholarly community's understanding of ‘visual culture’ and the potential for analysts of South Asia to trace interconnections and influences on the changing subcontinent through its very specific, if widely deployed, visual culture.}, number={3}, journal={SOUTH ASIA-JOURNAL OF SOUTH ASIAN STUDIES}, author={Freitag, Sandria B.}, year={2014}, pages={398–409} }
 @article{freitag_2013, title={Muslim Devotional Art in India}, volume={50}, ISSN={["0973-0893"]}, DOI={10.1177/0019464613503248}, abstractNote={ YOUSUF SAEED, Muslim Devotional Art in India, New Delhi: Routledge/Taylor & Francis Group, 2012, pp. 209. }, number={4}, journal={INDIAN ECONOMIC AND SOCIAL HISTORY REVIEW}, author={Freitag, Sandria}, year={2013}, month={Oct}, pages={528–530} }