Mary Ann Witt

A 'New' Woman in Verga and Pirandello: From Page to Stage

Witt, M. A. F. (2020, April). MODERN LANGUAGE REVIEW, Vol. 115, pp. 479–480.

The Birth of Theater from the Spirit of Philosophy: Nietzsche and the Modern Drama

Witt, M. A. F. (2017, October). COMPARATIST, Vol. 41, pp. 371–373.

Extravagance and three other plays

Witt, M. A. F. (2016, September). JOURNAL OF MODERN ITALIAN STUDIES, Vol. 21, pp. 692–694.

Dramas of the Past on the Twentieth-Century Stage: In History's Wings

MODERN DRAMA, Vol. 58, pp. 263–265.

Metatheater and modernity: Baroque and neobaroque

Madison [N.J.]: Fairleigh Dickinson University Press.

Dramas of culture: Theory, history, performance

[Review of ]. Comparative Literature Studies, 48(2), 263–266.

THE TARGET

COMPARATIVE LITERATURE, Vol. 62, pp. 100–102.

Babies and Books: Birth as Metaphor in Nietzsche and Pirandello

COMPARATIVE CRITICAL STUDIES, 6(2), 183–200.

From Saint Genesius to Kean: Actors, martyrs, and metatheater

Comparative Drama, 43(1), 19–44.

The humanities: Cultural roots and continuities (6th ed.)

Boston, MA : Houghton Mifflin.

The search for modern tragedy: Aesthetic fascism in Italy and France

Ithaca, NY: Cornell University Press.

Afterword [to Her husband, translation of Luigi Pirandello's Suo marito]

In Her husband. Durham, N.C.: Duke University Press.

I silenzi dei testi e i silenzi della critica, ed. by Carla Locatelli.

[Review of ]. Comparatist, 22(1998 May), 196–198.

La patente tra mimesi e diegesi

In Pirandello e la sua opera. Palermo: Palumbo.

The Humanities: Cultural roots and continuities. (4th ed.)

Lexington, Mass.: D.C. Heath.

Existential prisons captivity in mid-twentieth-century French literature

Durham: Duke University Press.

The Humanities, cultural roots and continuities

Lexington, Mass.: D. C. Heath.