Mary Ann Witt

A 'New' Woman in Verga and Pirandello: From Page to Stage

Witt, M. A. F. (2020, April). MODERN LANGUAGE REVIEW, Vol. 115, pp. 479–480.

The Birth of theater from the spirit of philosophy: Nietzsche and the modern drama

[Review of ]. Comparatist, 41, 371–373.

Extravagance and three other plays

[Review of ]. Journal of Modern Italian Studies, 21(4), 692–694.

Dramas of the past on the Twentieth-Century stage: In history's wings

[Review of ]. Modern Drama, 58(2), 263–265.

Metatheater and modernity: Baroque and neobaroque

Madison [N.J.]: Fairleigh Dickinson University Press.

Dramas of culture: Theory, history, performance

[Review of ]. Comparative Literature Studies, 48(2), 263–266.

The target

[Review of ]. Comparative Literature, 62(1), 100–102.

Babies and books: Birth as metaphor in Nietzsche and Pirandello

Comparative Critical Studies, 6(2), 183–200.

From Saint Genesius to Kean: Actors, martyrs, and metatheater

Comparative Drama, 43(1), 19–44.

The humanities: Cultural roots and continuities (6th ed.)

Boston, MA : Houghton Mifflin.

The search for modern tragedy: Aesthetic fascism in Italy and France

Ithaca, NY: Cornell University Press.

Afterword [to Her husband, translation of Luigi Pirandello's Suo marito]

In Her husband. Durham, N.C.: Duke University Press.

I silenzi dei testi e i silenzi della critica, ed. by Carla Locatelli.

[Review of ]. Comparatist, 22(1998 May), 196–198.

La patente tra mimesi e diegesi

In Pirandello e la sua opera. Palermo: Palumbo.

The Humanities: Cultural roots and continuities. (4th ed.)

Lexington, Mass.: D.C. Heath.

Existential prisons captivity in mid-twentieth-century French literature

Durham: Duke University Press.

The Humanities, cultural roots and continuities

Lexington, Mass.: D. C. Heath.