@article{duan_2024, title={Zhangzhou Immigrants between China and the Spanish: Diplomatic Conversations Concerning the 1603 Incident in Manila}, volume={4}, url={https://doi.org/10.29105/sillares4.7-135}, DOI={10.29105/sillares4.7-135}, abstractNote={Starting in 1573 with the establishment of Manila, the circulation of Chinese goods along the trans-Pacific route brought the Ming Dynasty and the Spanish Empire into contact. Consequently, many people from Fujian Province, especially Zhangzhou city, went to Manila and facilitated the operation of the city. This paper examines the interactions of Zhangzhou immigrants in Manila, focusing their roles and living situations in Parián, the designated neighborhood for the Sangleys. In particular, the diplomatic conversation concerning the 1603 Incident is analyzed to elucidate how the Sangleys were perceived by both the Ming court and the Spanish governors. Records produced by Chinese elites, local gazetteers, and Spanish correspondence reveal the conflicts and negotiations between the Ming government and officials of the Spanish Empire concerning this matter, as well as local and state differences in views. While the contributions of the Sangleys were recognized and used to promote the moral superiority of both sides, they were not seriously considered by either the Chinese court or the Spanish government. The Sangleys offer a unique perspective on the positioning of these two state powers: Each desired to maintain a peaceful relationship yet simultaneously adopted a cautious stance. This study illuminates some of the connections and conflicts which emerged during early modern globalization.}, number={7}, journal={Sillares. Revista de Estudios Históricos}, author={Duan, Xiaolin}, year={2024}, month={Jul}, pages={43–82} }
 @book{duan_2022, place={Lanham}, title={An object of seduction : Chinese silk in the early modern transpacific trade, 1500-1700}, ISBN={9781793614902 9781793614919}, publisher={Lexington Books}, author={Duan, Xiaolin}, year={2022} }
 @article{duan_2022, title={Mulberry Trees, Shipwrecks, and Silver: Silk Raising and the Decline of the Ming Dynasty}, volume={26}, ISSN={["2468-4791"]}, url={https://doi.org/10.1163/24684791-12340062}, DOI={10.1163/24684791-12340062}, abstractNote={Abstract}, number={1}, journal={MING QING YANJIU}, author={Duan, Xiaolin}, year={2022}, month={Jun}, pages={60–91} }
 @article{duan_2022, title={Visualizing Famous Places for the Tourist Market: Yang Erzeng's Newly Compiled Striking Views within the Seas in Seventeenth-Century China}, DOI={10.5117/9789048557820/ICAS.2022.016}, abstractNote={During the seventeenth century, rapid developments in urbanization and sightseeing activities increased the popularity of woodblock prints that advertised famous sites. One of the most remarkable collections was Newly Compiled Striking Views within the Seas (1609) by Yang Erzeng. The collection served as a travel guidebook and included visual images along with geographical information about places of interest. This paper focuses on its two fascicles of West Lake and discusses how these incorporate geographical knowledges from the Song Dynasty with adapted images from both landscape-painting manuals and woodblock drama illustrations. Comprised of a combination of poems, paintings, and calligraphy, this book was appealing to both sophisticated and mass-market audiences. Consumers of the book and its images saw these as tangible embodiments of cultural tropes, suggestions for sightseeing, and a particular way of seeing. As a new model for circulating knowledge about famous places, this work meditated between traditional gazetteers and the newly developed tourist market to reshape concepts about place and mobility.}, journal={TWELFTH INTERNATIONAL CONVENTION OF ASIA SCHOLARS (ICAS 12)}, author={Duan, Xiaolin}, year={2022}, pages={137–145} }
 @article{duan_2021, title={Chinese heritage sites and their audiences: the power of the past}, volume={13}, ISSN={["1755-1838"]}, DOI={10.1080/1755182X.2021.1898143}, abstractNote={As part of the Routledge series Research on Museums and Heritage in Asia, Chinese Heritage Sites and their Audiences provides a Chinese perspective on tourists’ relationship to heritage sites. This...}, number={1}, journal={JOURNAL OF TOURISM HISTORY}, author={Duan, Xiaolin}, year={2021}, month={Jan}, pages={105–107} }
 @book{duan_2020, place={Seattle}, title={The rise of West Lake : a cultural landmark in the Song Dynasty}, publisher={University of Washington Press}, author={Duan, Xiaolin}, year={2020} }
 @article{duan_little_williams_wagner_moritz_2018, title={Bringing Study Abroad back to Campus: A Collaborative Student Project on Acquiring, Researching and Exhibiting Artifacts}, volume={7}, url={http://www.elon.edu/u/academics/undergraduate-research/purm/wp-content/uploads/sites/923/2019/06/Duan_Little_Williams_Wagner_Moritz_Main.pdf}, number={1}, journal={Perspectives on Undergraduate Research & Mentoring}, author={Duan, Xiaolin and Little, Deandra and Williams, Sarah and Wagner, Spencer and Moritz, Katherine}, year={2018}, month={Oct} }
 @article{duan_2018, title={Natural Environment and the Technical Circulation: Chinese and Mexican Silk in the 16-18th Century Trans-Pacific Trade}, volume={14}, journal={Global History Review}, author={Duan, Xiaolin}, year={2018}, month={Jun}, pages={132–155} }
 @inbook{duan_2017, title={The Ten Views of West Lake}, ISBN={9789004349377}, url={http://dx.doi.org/10.1163/9789004349377_006}, DOI={10.1163/9789004349377_006}, abstractNote={Published in: Visual and Material Cultures in Middle Period China 
Series: Sinica Leidensia, Volume: 137 
Editors: Patricia Buckley Ebrey and Susan Shih-shan Huang 
Eight studies examine key features of Chinese visual and material cultures, ranging from tomb design, metalware, ceramic pillows, and bronze mirrors, to printed illustrations, calligraphic rubbings, colophons, and paintings on Buddhist, landscape, and narrative themes. Questions addressed include how artists and artisans made their works, the ways both popular literature and market forces could shape ways of looking, and how practices and imagery spread across regions. The authors connect visual materials to funeral and religious practices, drama, poetry, literati life, travel, and trade, showing ways visual images and practices reflected, adapted to, and reproduced the culture and society around them. Readers will gain a stronger appreciation of the richness of the visual and material cultures of Middle Period China.}, booktitle={Visual and Material Cultures in Middle Period China}, publisher={Brill Press}, author={Duan, Xiaolin}, editor={Huang, Susan Shi-shan and Ebrey, PatriciaEditors}, year={2017}, month={Jul}, pages={151–190} }
 @article{duan_2013, title={Appreciation and Enjoyment: Zhang Dai and Tourism in Late Ming China}, volume={16}, number={1}, journal={Scottish Journal of Arts, Social Sciences and Scientific Studies}, author={Duan, Xiaolin}, year={2013}, month={Oct}, pages={130–137} }
 @inbook{duan_2012, title={A Comparative Study of Two Series of Printed West Lake Ten Views}, booktitle={Meishuxue boshisheng guoji xueshu Luntan lunwenji}, publisher={Shaanxi Normal University Press}, author={Duan, Xiaolin}, editor={Song, Li and Ning, DingEditors}, year={2012}, pages={224–249} }