Laura Ruth Severin

Valerie Gillies: Inscriptions in the Wind

CONTEMPORARY WOMENS WRITING, 14(2-3), 220–237.

Locating Valerie Gillies's The Cream of the Well: A critical introduction to the poems and an interview with the poet

Scottish Literary Review, 9(1), 115–139.

Poetry off the page: Twentieth-century British women poets in performance

Redefining the Poet as Healer: Valerie Gillies's Collaborative Role in the Edinburgh Marie Curie Hospice Quiet Room Project

LITERATURE AND MEDICINE, 33(1), 184–201.

Close closer closest: re-envisioning sculpture and poetry through craft

Mosaic (Winnipeg, Man.), 43(2), 59–78.

Dedefining the Scottish landscape: Valerie Gillies's tweed journey

Scottish Studies Review, 9(2), 93–107.

Distant resonances: Contemporary Scottish women poets and African-American music

Mosaic (Winnipeg, Man.), 39(1), 45–59.

'The gilt is off the gingerbread': Stevie Smith's revisionary fairy tales

JOURNAL OF GENDER STUDIES, 12(3), 203–214.

Disinvolve, disassociate: Stevie Smith and the politics of passive experiment

In And in our time: Vision, revision, and British writing of the 1930s (pp. 133–146). Lewisburg, Pa.: Bucknell University Press; London: Associated University Presses.

British women's comic fiction, 1890-1990: Not drowning, but laughing

Tulsa Studies in Women's Literature, 21(2), 399–402.

Women, modernism, and British poetry, 1910-1939: Resisting femininity

[Review of ]. Tulsa Studies in Women's Literature, 21(2), 399–402.

Becoming and unbecoming: Stevie Smith as a performer

Text and Performance Quarterly, 18(1), 22–36.

Stevie Smith's resistant antics

Madison: University of Wisconsin Press.