Helen Jane Burgess

Reprogrammable Rhetoric: Critical Making Theories and Methods in Rhetoric and Composition

Burgess, H. J. (2024, April 2). RHETORIC REVIEW, Vol. 43, pp. 152–154.

Chapter 13. The Sound of Type: Multimodal Aesthetics

In Amplifying Soundwriting Pedagogies: Integrating Sound into Rhetoric and Writing (pp. 173–182).

Exploring the Nuances

Commonplace, 11.

Futurama, Autogeddon

In M. Vandegrift, K. Dufresne, C. Clower, & E. Cox (Eds.), North Carolina State University Libraries.

Machine Dream Anthropocene: On Taking a Bot to the MLA

CONFIGURATIONS, 29(1), 73–95.

The Voice of the Polyrhetor: Physical Computing and the (e-)Literature of Things

Electronic Literature as Digital Humanities.

Good Computing with Big Data

In J. Jones & L. Hirsu (Eds.), Rhetorical Machines (pp. 190–211). Tuscaloosa: University of Alabama Press.

Introduction: Critical Making and Executable Kits

Enculturation: a Journal of Rhetoric, Writing, and Culture. http://www.enculturation.net/critical-making-and-executable-kits

The Fates of Things

Enculturation: a Journal of Rhetoric, Writing, and Culture. http://www.enculturation.net/fates

Intimate Fields

Burgess, H. J., & Simon, M. (2018, August 2).

Intimate Fields: A Kit for E-Literature

Matlit: Revista Do Programa De Doutoramento Em Materialidades Da Literatura.

Publish All the Things: The Life (and Death) of Electronic Literature

The Journal of Electronic Publishing, 21(1).

The Routledge Research Companion to Digital Medieval Literature

In Routledge (pp. 1–5).

Tasty Gougère

Electronic Literature Organization Collection Vol. 3.

Data Visualization

Hyperrhiz: New Media Cultures, 11(13), 1–1.

Love Notes and Intimate Circuits

Hyperrhiz: New Media Cultures, 11(13), 1–1.

Highways of the Mind

In University of Pennsylvania Press. University of Pennsylvania Press.

Collaborative New Media Poetry: Mixed and Remixed

In The Handbook of Participatory Cultures (pp. 73–81). Routledge.

New Media in the Academy: Labor and the Production of Knowledge in Scholarly Multimedia

[?php]: 'Invisible' Code and the Mystique of Web Writing

How to read an electric poem

Unpublished conference paper. Presented at the Society for Literature, Science and the Arts, Atlanta, GA.

Biofutures: Owning Body Parts & Information

Biofutures: Owning Body Parts & Information. University of Pennsylvania Press.

Introduction: Move

Hyperrhiz: New Media Cultures, 10(5), 1–1.

Introduction: e-Lit

Hyperrhiz: New Media Cultures, 1(4), 1–1.

'Nature without Labor’: Virgin Queen and Virgin Land in Sir Walter Ralegh’s The Discoverie of the Large, Rich, and Bewtiful Empyre of Guiana

In Goddesses and Queens: The Iconography of Elizabeth I (pp. 101–114). Manchester University Press.

Introduction: SpaceWorks

Hyperrhiz: New Media Cultures, 8(3), 1–1.

"Road of giants": Nostalgia and the ruins of the superhighway in Kim Stanley Robinson's Three Californias Trilogy

Science-Fiction Studies, 33(2), 275–290. http://www.scopus.com/inward/record.url?eid=2-s2.0-63549146590&partnerID=MN8TOARS

Introduction: Video Kill'd

Hyperrhiz: New Media Cultures, 12(2), 1–1.

Introduction/Commentary

Hyperrhiz: New Media Cultures, 12(1), 1–1.

Futurama, Autogeddon: Imagining the Superhighway from Bel Geddes to Ballard

The Dialogics of New Media: Video, Visualization, and Narrative in Red Planet: Scientific and Cultural Encounters with Mars

In Eloquent Images: Writing Visually in New Media (pp. 61–85). MIT Press.

Mapping Bodies, Mapping Subjects: Missing the Mind's Eye from the X-Ray to the Human Genome

The Ghost in the Mechanism: Virtual Bodies, Mechanical Ghosts, and Crash-Test Dummies

Looking Back on Virtuality: the Strange Corporeographies of Cyberspace

Spectator: The University of Southern California Journal of Film and Television Criticism, 21(1), 71–81.

Red Planet: Scientific and Cultural Encounters with Mars

In University of Pennsylvania Press. University of Pennsylvania Press.